يا راهب الدير تبنا عن محبتهم
وقد أنبنا فلا كاني ولا ماني
O monk of the monastery, we have repented of loving them,
and truly turned back—no more “ifs,” no more “buts.”
ولا هوى رسه يبكي فتدمغه
بذكرياتك وادي السير ألحاني
Nor any passion whose first stirring makes me weep, only for it to be crushed
by my songs, with memories of you, O Wadi al-Sir.
شبنا وران على الفودين متزن
من المشيب بكى حظي وأبكاني
We have grown gray, and evenly over both temples has settled
a grayness at which my fortune wept and made me weep.
يا راهب الدير تبنا والحياة كما
ترى تلوى لمثلي لي ثعبان
O monk of the monastery, we have repented; yet life, as
you see, coils around one like me with a serpent’s twisting.
قل للسوادن يفتحن الصوامع لي
فالريح صر وبرد الغور آذاني
Tell the custodians to open the monastic cells for me:
the wind is bitterly cold, and the chill of the Ghawr has hurt me.
يا راهب الدير جلعاد صحيفته
طويتها ولها قدمت قرباني
O monk of the monastery, Gilead’s scroll—
I folded it away, and unto it offered my sacrifice.
فما عساك براع ما له غنم
تقول إن جاء جانبكم وزكاني
What could you do, a shepherd with no flock,
if someone came to your side and vindicated me?
يا راهب الدير طوبى للألى جأرت
أحزانهم وعدت ذؤبان أحزاني
O monk of the monastery, blessed are those whose sorrows cried aloud—
their sorrows—while the wolves of my sorrows assailed me.
افتح لي الباب وادمجني بزمرتكم
فبرد جلعاد يابونا تحداني
Open the door for me and admit me into your company,
for Gilead’s cold, O our Father, has challenged me.
لست المسيح ولكن مجدليتكم
كبنت يفتاح دعها اليوم ترعاني
I am not Christ; yet your Magdalene,
like Jephthah’s daughter, tends me today with her tears.
ودع عذاراه وادي الغور إن أزفت
منية كنت أخشاها وتخشاني
Bid its maidens farewell, O Valley of the Ghawr, if there draws near
a death I once feared—and which now fears me.
أما الهوى والجوى يا مي إن ذهبت
أيامه فدعي الأيام تنعاني
As for love and love’s anguish, O Mayy—if their days
have passed, then let the days mourn me.
وليبك وادي الشتا بعدي جآذره
وليبك حسبون بعدي ماء حسبان
Let Wadi al-Shita and its gazelles weep after me;
and let Heshbon weep after me—the waters of Hisban.
أما أنا فبحسبي ما أكابده
من لوعة أَججت يا ناس نيراني
As for me, what I endure is enough:
an anguish by which, O people, my fires were kindled.
يا جيرة اليان هذا البان بأنكم
يا ليته لم يكن يا جيرة البان
O neighbors of al-Yan, this bān tree declares that you have gone—
would that it had never been, O neighbors of the bān!
تلومني أنني يا ابني أعاقرها
يا وصف هبني جلال الدين دواني
You blame me, my son, for keeping company with her.
O Wasfi, suppose I were Jalal al-Din Davani;
أو إنني ابن رشد في مباذله
أو إنني عمر الخيام يا جاني
or suppose I were Ibn Rushd in his everyday clothes,
or Omar Khayyam, O you who condemn me;
أو ابن سينا وقد كانت مجالسه
للأنس يحدو بها الحادي بركبان
or Avicenna, whose gatherings
were for conviviality, where the camel-driver urged the caravan onward in song.
تريدني ويك شيخاً كله ورع
ذا مركب خشن يأباه شيطاني
You want me—woe to you!—to be a sheikh made wholly of piety,
of rough disposition, whom my devil rejects.
وخلتني أمس يا ذكرى مخيلة
بها تطوف تباريحي وأشجاني
Yesterday, O Memory, you fancied me an apparition
through which my torments and my sorrows circled.
قد رف وهناً وناموا بعدما سهروا
صحبي بريق شجاه الفذ أشجاني
It had fluttered faintly; then, after keeping vigil, they slept—
my companions—and the gleam of his peerless sorrow saddened me.
فاستيقظت عبرتي من بعد هجعتها
وعادني ذكرها من بعد نسيان
Then my tear awoke from its slumber,
and her memory revisited me after long oblivion.
فإذ بي المصطفى ماش على يده
سار كطيف الكرى في عين وسنان
And suddenly there I was—al-Mustafa—walking upon his hand;
he moved like sleep’s phantom through a drowsy eye.
وليس لي أرجل أَمشي بها فأنا
أحيا لأصغي إلى أصداء ألحاني
I have no legs with which to walk, for I
live only to listen to the echoes of my songs.
أما أنا وأَمانينا وما تركت
لي الليالي أحزان بأحزان
As for me, our hopes, and what the nights have left
me: sorrows upon sorrows.
قالوا بوادي الشتا لاحت مكحلة
فما عليك ارعوى من خدها القاني
They said, “In Wadi al-Shita a kohl-eyed beauty appeared.”
What is she to you? Turn away from her crimson cheek.
اعذرنني يا أخياتي فما برحت
لها بقايا هوى في سؤر تحناني
Forgive me, my dear sisters: there still remain
for her traces of love in the secret depths of my yearning.
Sol 5.6