إِذا الشعرُ لم ينفثْ به ربُّه السحرا
لعمرو القوافي الغر ما فَقِه الشعرا
If poetry is not infused by its Lord with magic
By my life, rhythms are useless, and poetry is not understood
فلم يبق بعد الوحي من نبإِ السما
إلى الأرضِ غيرُ الشعرِ معجزةً كبرى
After revelation, nothing remains from the news of heaven
To earth except poetry, the greatest miracle
عَلَى كلِّ نفسٍ تستقل بحمله
لقدْ نزل الروحُ الأَمين به بشرى
Binding every soul that undertakes its burden
The trusted Spirit has descended with it, good tidings
إِذا لم يكنْ صوبَ العقول رواجحا
فما هو إِلاّ الهذر أَو يشبه الهذرا
If it is not tilting the scales of minds
It is nothing but nonsense, or it resembles nonsense
وَإِن لم يكنْ وَحي النفوسِ طروبة
فمضغك إِياه كمن يمضغ الصخرا
If it is not the revelation of ecstasy in the soul
Then chewing on it is like chewing on rock
أَرى كلَّ ميزانٍ سوى الطبع في الفتى
لما يزيد الشعر في وَزنه خسرا
I see every measure except innate talent in the youth
Only increases poetry’s loss in its weight
فإِن لم يكن صوغُ القوافي سجيةً
فليس بمجدٍ أَن تخوضَ لها البحرا
If the rhymes are not of an easy nature
Then it is no glory to cross the sea for them
رأَيت المعاني كالحمائم لم تَرِدْ
سوى سائغِ الأَلفاظ أَو عذبها نهرا
I saw meanings like doves that would not alight
Except on eloquent or sweet words like a river
وكالرودِ لم تعطِفْ عَلَى غير مُعربٍ
وَلم تتخذْ غيرَ الفصيح لها خدرا
And like a garden that does not incline towards non-Arabic
And takes nothing but the eloquent for its nest
فيا ضيعة المعنى إِذا اللفظُ خانه
وَواهاً له حياً لقد سَكَنَ القبرا
So woe to the meaning if words betray it
And alas to it, alive, it has indeed inhabited the grave
أَرى وَحقيقٌ بالقبول الذي أَرى
بشيئين أَضحى الشعر قد فضل النثرا
I see, and it is truly worthy of acceptance what I see
That poetry has surpassed prose in two things
بنسجٍ كنسجِ (البحتريِّ) وحكمة
تضارعُ ما كان (المعري) به مغرى
A weaving like al-Buhturi’s weaving and wisdom
Rivalling what al-Mutanabbi therewith led astray
أَتينا عَلَى حينٍ من الدهرِ لم نجدْ
بفترته إِلا البكيْ أَو النزرا
We have come upon an era where we find naught
In its slackness except tears or little
وأَعمى لقد ضلَّ القوافي منيرةً
ولم ير إِلا كلَّ قافيةٍ عورا
Blinded, rhymes have indeed gone astray as guides
And seen nothing but defects in every rhyme
ومتهماً بالشعرِ والنثر نفسه
رعى منهما شوكاً بباديةٍ قفرا
And suspicious of poetry and prose itself
He herded thorns in a barren wasteland from them
دَعِيَا إِلى الآدابِ وهي وَأَهلها
إِلى الله من دعوى سخافته تَبرا
They were called to literature, it and its people
To God from the claim of its nonsense, innocent
هوى كهويّ الفرخ هيض جناحُه
وَقد رام أَن يحذو بتحليقه النَسْرا
He swooped like a young bird lowering its wings
And he sought to emulate by its flight the eagle
وَأَقعده عجز فأَصبح ساخطاً
كأَنَّ له عند الأُولى سبقوا ثأْرا
But disability made him sit, so he became angry
As if he against the predecessors had a blood-feud
فَخَطْأَ من قد صوب الفَنُّ صنعه
كأَرمد ذمَّ الشمسَ وانتقص البدرا
So the mistake of one whose craftsmanship's aim was true
Is like a bleary-eyed criticising the sun and censuring the moon
يصيحُ وَيدعوا (للجديد) وحزبه
وليس بدارٍ منه قلاَّ وَلا كثرا
He shouts and calls for modernism and his partisans
While neither few nor many rally to his land
أَأَنبذُ لحني كي أَدينَ بلحنه؟
إِذاً أَنا أَرضى بعد إِيماني الكفرا
Should I discard my tune to be condemned for his tune?
If so, I would be content after my faith with blasphemy
فداك أَب ما أَنجبت بك زوجه
وَقَد حملت في حملك الخزي والوِزرا
May your father be sacrificed for you, who gave birth to you, o wife
And carried in her pregnancy shame and sin
أَترفض شيئاً ما تذوَّقت طعمه
وَتدعو لشيءٍ لا تحيطُ به خبرا؟
Do you reject something whose taste you have savoured
And call to something you have no news of?
بهذا بدا فضل الموجوِّد ماثلاً
كذلكَ فضل الضدِّ من ضده يُدرى
By this the superiority of the existent appears
Likewise the merit of the opposite is inferred from its opposite
هو الشعرُ ما أَداه طبعُ (محمد)
أَدار عَلَى الأَلبابِ من سحرِه خمرا
It is poetry whatever Muhammad has accomplished from it
Circling minds with its sorcery like wine
مهلهل نسج اللفظ ما فيه مغمز
متين عَرى الإِحكام مشدوده أسرا
Rumbling, weaving words full of winks
Strong, firm ties binding it fast
إِذا ما همى دمعاً عَلَى ذابلِ المنى
يعود به غُصْنُ الأَمانيِّ مخضرّا
If he sheds a tear for the one whose wishes faded
The branch of hopes with him becomes verdant again
فتى الشعر أَعطته القياد فتاته
وَلم تنتحلْ في ردِّ طلبتهِ عذرا
Poetry’s youth, its leaders have given him primacy
And pretend no excuse in turning down his request
فَمِنْ كلِّ لفظٍ يصطفي آنساته
وَمن كل معنى رائعٍ يَضْرَعُ البكرا
So from every word he chooses its pleasures
And from every splendid meaning he milks the virgins
يشقّق أَلفاظَ البداةِ مطارفاً
إِلى حَضَرِيَّات المعاني بما أَثرى
He splits the words of the trite with subtleties
Into the settled meanings, enriching them with traces
دعا للتي من دونها السيفُ مصلتٌ
فأَيقظ قوماً داءُ نومهمُ استشرى
He called her by whom without him the sword is a devotee
So he awakened a people whose slumberous illness spread
سقى أَملاً فيهم وَأَورى حميةً
فللّه ما أَروى وَلله ما أَورى
He watered a hope in them and kindled a zeal
By God he has watered! By God he has kindled!
إِذا لم ينبّه شاعرُ القومِ قومَه
فذاكَ بأَن يشقى به قومه أَحرى
If the people’s poet does not alert his people
Then it is better he make his people suffer
أَرى الشعرَ أَنفاساً يصرّفها الفتى
فيطفي بها جمرا وَيذكي بها جمرا
I see poetry as breaths the youth dispenses
With which he lights and rekindles coals
وَينفخها روحاً بميّتِ أُمةٍ
فتنسل من أَجداث غفلتها تترى
And blows in them a spirit for the dead nation
So it slips out from the dormancy of its heedlessness