نَعَمْ هَذِه دَارُ النَّعيم المُعَجَّلِ
تُذكِّرُني دَارَ النَّعيمِ المؤجَّل
Yes, this is the abode of instant bliss
Reminding me of the deferred blissful abode
فأَرتَعُ في الدَّارَينِ في زَمَن معاً
بعيني وعَيْنَيْ فِكرتِي وتَخيُّلي
So I graze in both abodes at one time
With my eyes, mind and imagination
أَلا فاجلَسا فيها سُروراً بها ولا
قِفَا نبك من ذِكْرَى حَبيبٍ ومَنزلِ
Oh, reside in it happily without
Standing weeping from memories of a beloved and home
ولا تَعْبُرا بالله بالقَصْرِ بَعْدَها
فما عِنْدَ رَسْمٍ دارسٍ مِنْ مُعَوَّل
And do not, by God, after it censure the palace
For nothingness exists in drawing for one to rely on
لقد قَصَّرتْ عن شَأؤِهَا كُلُّ روضةٍ
وقصَّر عن أَملاكِها كُلُّ أَفْضَلِ
Every garden falls short compared to its magnificence
And all excellences fall short of its possessions
وأَنْسَى بها بَيْنَ الوَرى ذِكْر جَعْفرِ الرَّ
شيدِ فأَنى جَعْفرُ المُتَوكِّل
And in it between all people I forget mention of Ja’far al Rashid
So where is Ja’far al-Mutawakkil?
يُرى الضَّيْفُ فيها وهْوَ ضَيْفٌ لحاتِم
كما الجارُ فيها وهْو جَارُ السَمَوْءَل
The guest is seen in it as a guest of Hatim
As the neighbor is in it - a neighbor of loftiness
سماءُ نُضَارٍ تحتها أَرْضُ فضَّةٍ
يفرّع مَاءُ الوَرْدِ فيها بَجَدْولِ
A clear sky under which silver earth
Where water of roses flows in a stream
وفي الصَدْرِ شَاذرْوَانُهَا جَفنُ ملْعَب
لعُفْرِيَّةٍ آثارُ طَيْفٍ وأَيْطَل
And in the breast are its galleries - an eye of a playground
For bands of nymphs - traces of ghosts and specters
وكم طائرٍ من رأْسِهِ الماءُ طَائِرٌ
على أَنَّهُ في وَكْرِه كالمُكبَّل
And however many birds from whose heads water is flying
As if captive in its lair tied up
وكم أَسدِ ولماءُ من فيه وَاثِبٌ
وإِن كَان لَمْ يَنْهَضْ ولَم يَتَحَلْحَل
And however many lions from which escaped water leaps
Though it hasn't risen or moved
أُعِيدَ مُلُوكُ الأَرض فيها ليَعْلَمُوا
بأَنَّ الذي شَادُوهُ غَيْرُ مُكَمَّلِ
The kings of earth were revived in it to know
That what they built is imperfect
يقابِلُ كِسْرى قيصراً وكلاهما
يُقَلِّب طَرْف الباهتِ المتَأَمِّل
Chosroes faces Caesar and both
Flip looks of the wide-eyed observer
فكسرى يرى الإِيوانَ كِسْراً وقَيْصرٌ
يرى القَصْر خُصَّ الناسك المتبتِّلِ
So Chosroes sees the hall imperfect and Caesar
Sees the palace - deprived of all but the devoted worshipper
وصُوِّرَ في أَرْجَائِها كُلُّ عاشقٍ
يرى العِشْقَ فَرضاً في الكتابِ المنزَّلِ
And in its corners every lover is depicted
Who sees passion an obligation in the descended book
جَمِيلُ بُثَيْنٍ مَعْ كُثَيِّرٍ عزَّةٍ
يَصُوغَانِ أَشعارَ الهوى والتَغَزُّلِ
Beautiful Buthaina with glorious Kuthaiyir
Composing love poems and amorous overtures
وقد عرِضَت فيها الجنودُ فجحفَلٌ
يمرُّ على آثارهِ أَلفُ جَحْفَل
And in it the armies were presented so hosts
Pass by their vestiges, a thousand hosts
كأَنَّهمُ في يوم عيد فقُمْصُهم
من الوَشْي لا قُمص الحديدِ المسَرْبَل
As if on feast day their attire
Is of brocade, not iron coats of mail
وقد أَينَعَتْ فيها الرياضُ فكَمْ بها
لمخترِفٍ من كل عِذْقٍ مُذَلَّلِ
And in it gardens bore fruit so how many
For the amusing picker from each hanging cluster
وقد بَعُدَتْ لكِنْ على كَفِّ مجْتَنٍ
وقد قَرُبَتْ لكن إِلى عينِ مُجْتَلي
And it was distant but on the palm of a gift-bearer
And was brought near to the eye of a beholder
فقد بان منها للورى فَضْل آخرٍ
كما بان منها عندهم نَقْضُ أَوَّلِ
So its special favor over people was made clear
As was its flaw to them from the first