كَم لِلمُلاءَةِ مِن أَطلالِ مَنزِلَةٍ
بِالعَنبَرِيَّةِ مِثلَ المُهرَقِ البالي
How many ruined traces of a dwelling al-Mulāʾa has,
At al-ʿAnbariyya, like worn-out parchment!
وَقَفتُ فيها فَعَيَّت ما تُكَلِّمُني
وَما سُؤالُكَ رَسماً بَعدَ أَحوالِ
I stood among them; they were speechless, not speaking to me.
And what use is your questioning a trace after years?
غَزالَةُ الشَمسِ لا يَصحو الفُؤادُ بِها
حَتّى تَرَوَّحتُ لَأياً بَعدَ إيصالِ
The sun's radiance could not bring the heart to its senses,
Until, with difficulty, I set off after late afternoon.
كَأَنَّما طَرَفَت عَينَيَّ كاحِلَةٌ
في الدارِ مِن سَرِبٍ بِالماءِ مِسيالِ
As though a kohl-eyed doe had struck my two eyes,
In the dwelling, from a herd streaming by the water.
أَو كَاِبنِ عَجلانَ إِذ كانَت لَهُ تَلَفاً
هِندُ الهُنودِ بِمِقدارٍ وَآجالِ
Or like Ibn ʿAjlān, when she was his ruin—
Hind of all Hinds, by destiny and appointed times.
تَرمي القُلوبَ وَلا يَصطادُها أَحَدٌ
بِسَهمِ قانِصَةٍ لِلقَومِ قَتّالِ
She shoots at hearts, yet no one captures her,
With a huntress's arrow, deadly to men.
غَرثى الوِشاحِ وَلَكِنَّ النِطاقَ بِها
يُلاثُ حَولَ رِمالٍ ذاتِ أَكفالِ
Slender at the sash, yet the girdle about her
Is wound around sand-dunes with swelling haunches.
ما أُمُّ خِشفٍ بِرَوضاتِ الذِهابِ لَها
مَرعى فَرودٍ مِنَ الأُلّافِ مِطفالِ
No mother of a fawn in the meadows of al-Dhihāb, with
Her own pasture, solitary apart from her herd-mates, with her young,
أَدماءُ يَنفُضُ رَوقاها إِذا اِدَّمَجَت
عَنها الأَراكَ وَأَغصاناً مِنَ الدالِ
A pale doe, whose two horns, when she slips in, shake
The arak and branches of dāl away from her;
وَلا مُكَلَّلَةٌ راحَ السِماكُ لَها
في ناحِراتِ سَرارٍ قَبلَ إِهلالِ
Nor a garlanded meadow for which al-Simāk came at evening,
In the last moonless nights before the crescent's rise.
تَجلو بِقادِمَتَيهِ لَمياءَ عَن بَرَدٍ
حُوِّ اللِثاثِ وَجيدٍ غَيرِ مِعطالِ
A dark-lipped woman bares the mouth's two front teeth, white as hail,
With dusky gums, and a neck not bare of adornment.
لا توقِدُ النارَ إِلّا أَن تُثَقِّبَها
بِالعودِ في مِفضَلِ الخِزِّيَّةِ الغالي
She lights no fire except to kindle it
With aloeswood, in her costly silk house-robe.
وَالطيبُ يَزدادُ طيباً أَن يَكونَ بِها
وَإِن تَدَعهُ تَدَعهُ غَيرَ مِتفالِ
And perfume grows more fragrant from being upon her;
And if she forgoes it, she does so without becoming scentless.
Sol 6.1