صرفت فعلي في الأسى وقولي
بحمدِ ذي الطُّول الشديد والحول
I have spent my actions in sorrow and my words
In praise of Him of great might and power
يا لائماً ملامه يطول
إسمع هديت الرشد ما أقول
O you who blame the one blamed, cease your blaming
Listen to the guidance I speak
كلامك الفاسد لست أتَّبع
حدّ الكلام ما أفاد المستمع
Your corrupt words I do not follow
The limit of speech is what benefits the listener
أفدي غزالاً مثلوا جماله
في مثل قد أقبلت الغزاله
I ransom a gazelle who portrayed its beauty
In the simile “the gazelle approached”
ما قالَ مذ ملَّك قلبي واسترقّ
كقولهم ربَّ غلامٍ لي أبق
Since he possessed my heart and captivated it
Like their saying “a boy is for me” remain
للقمرين وجهه مطالع
فهي ثلاث ما لهنَّ رابع
For the two moons are his face's rising places
So they are three to which there is no fourth
لأحرف الحسن على خدّيهِ خط
وقال قول إنَّها اللام فقط
For the letters of beauty on his cheeks a line is drawn
And he spoke saying that it is only the letter laam
داني المزار يحذر الضنين
عليهِ مثل بان أو يبين
The visited shrine warns of rancor
Against its like open or hidden
كتمته والحسن ليسَ يجتلى
والاسم لا يدخله من وإلى
I concealed it though beauty does not disappear
And the name does not enter it from nor to
منفرد بالحبِّ في دار الهنا
مثاله الدار وزيد وأنا
Singular in love in the abode of bliss
Its example is the house, Zayd, and I
لا يختشي ملاعب الظنون
والأمر مبنيٌّ على السكون
He does not fear the wiles of suspicions
And the matter is built on tranquility
في خدِّه التبريّ هانَ نشبي
وقيمة الفضَّة دون الذهب
On his cheek easy gain seems lowly
And the value of silver is less than gold
فاصْرف عليها ثروةً تستام
فما على صارفِها ملام
So spend on it a wealth you can bear
And no blame is on its spender
وانْفق له دينار من ضنٍّ وشح
ولا تبل أخفّ وزناً أم رجح
And give for him a dinar stingily and miserly
And do not weigh less or more on the scale
وإن رأيت قدّه العالي فصف
وقف على المنصوبِ منه بالألف
And if you see his tall stature then describe
And stop on the nunation from it with the alif
والعارض النونيّ ما أنصفته
وإن تكن باللام قد عرفته
And the accidental nun you did not do justice to
Though you recognized it with the laam
في مثله انظم إن نظمت محسناً
وإن ذكرت فاعلاً منوَّنا
In its likeness compose, if you compose beautifully
And if you mention an agent, passive
واهاً لها بحرفِ نونٍ قد عرف
كمثل ما تكتبه لا يختلف
Alas for it with the letter nuun it is known
Like what you would write not differing
يأتي بنقطِ الخال في إعجام
وتارةً يأتي بمعنى اللام
It comes with the beauty spot’s dot in defective script
And sometimes it comes meaning the laam
دونكَ إن عشقتهُ بين الورَى
معظماً لقدره مكبرا
Apart from you, if you love it among mankind
Revering its rank, magnifying it
وإن ترد وجنته المنيرة
فصغر النار على نويره
And if you want its shining cheek
Then lessen the fire next to its light
كم ومتى جادلت فيه من عذلٍ
ولا حتَّى ثم أو وأم وبل
How much and when did I dispute about it with blame
Not even “then” or “and” or “but” or “however”
حتَّى تولَّت أوجه العذَّال
وأقبلَ الغلام كالغزال
Until the faces of the blamers turned away
And the boy approached like a gazelle
للحظهِ المسكر فعل يطرب
مفعولهُ مثل سقى ويشرب
For its intoxicating glance it did an act that elates
Its object like “he quenched” and “he drank”
فلا تلم عويشقاً فيه تلف
ولا سكيران الذي لا ينصرف
So do not blame a lover intoxicated in it
Nor the drunk who does not refrain
لا تلح قلبي في الهوى فتتعبا
وما عليكَ عتبهُ فتعتبا
Do not burden my heart in love so you both weary
And you have no right to blame so do not blame
جسمي وذاكَ الخصر والجفن الدنف
هنَّ حروف الاعتدال المكتنف
My body and that waist and languid eyelid
They are letters of moderation, enveloping
بجفنِهِ نادى الهوى يا للشجي
وكلُّ ياءٍ بعد مكسورٍ تجي
With its eyelid love called “O most passionate!”
And every ya after a broken letter comes
يا جفنهُ الناصب فيه فكري
ونصبهُ وجرُّه بالكسر
O its lowering eyelid preoccupies my thoughts
And its nominative, accusative, and genitive with kasra
إن قيل للظبيِ هنا إلمام
فاكْسر وقل ليقم الغلام
If it is said to the gazelle “here is the Imam”
Then break and say “let the boy stand”
ويا مليحاً عنهُ أخّرت القمر
إمَّا لتهوان وإمَّا لصغر
And O beautiful one, you delayed the moon from it
Either for insignificance or smallness
كرِّر فما أحلى لسمعي السامي
قولك يا غلام يا غلامي
Repeat for nothing is sweeter to my noble hearing
Than your words “O boy, O my boy”
وارْفق بمضناك فما سوى اسمه
ولا لغير ما بقى من رسمه
And be gentle with your prisoner for nothing remains
Except its name and what remains of its shape
فقد حكى العداة بالوقوف
فاعْطف على سائلك الضعيف
For the enemies told of its stops
So turn tenderly to your weak questioner
أفقرت في الحسنِ الغواني مثلما
قالوا حذامي وقطامي في الدما
I am made poor in beauty by the lovesick
As they said “my cheek became skinny” for blood
فافْخر بمعنى لحظكَ المعشوق
في كلِّ ما تأنيثهُ حقيقي
So boast of the meaning of your beloved glance
In everything whose femininity is real
يا لكَ لحظاً بسعاد أزرى
وجاءَ في الوزنِ مثال سكرى
O yours is a glance of good fortune I envy
And it came in prosody as the example of intoxication
حتَّى اسمه منتقص لمنْ وعى
كما يقال في سُعاد يا سُعا
Until even its name is impaired for whoever is aware
As it is said about happy “O happy”
يا واصفاً أوصاف ذيَّاك الصّبا
تمَّ الكلام عنده فلينصبا
O you who describe the qualities of that youth
Speech about it: Let it be nominative
هيهات بلْ دع عنكَ ما أضنى وما
وعاص سبَّاب الهوى لتسلما
Never! Rather, leave what has wearied and what
And disregard the blamer of love so you may be safe
وحبر الأمداح في عليّ
قاضي القضاة الطاهر التقيّ
And the ink of praise is for Ali
The pure, pious judge of judges
بكلِّ معنى قد تناها واسْتوى
في كلمٍ شتى رواها من روى
It has reached every meaning, equaled
In diverse words, narrated by all who narrated
باكر إلى ذاكَ الحما العالي وصفْ
إذا درجت قائلاً ولم تقفْ
Hasten to that lofty protector and describe
When you tread saying and do not stop
دونكَ والمدح ذكيًّا معجبا
نحو لقيت القاضيَ المهذَّبا
Apart from you, and let praise be pleasing and wondrous
Such as “I met the refined judge”
ذو الجود والعلم عليه أرسى
وهكذا أصبحَ ثمَّ أمسى
Of generosity, knowledge, he made it firm
And thus he was in the morning and evening
فاضْرع إلى قارٍ لقاء نافع
واقْرع إلى حامي حماه المانع
So plead to the banner of a beneficial meeting
And knock on the door of the protector whose protection is impenetrable
يقول للضيفِ نداه حب وهل
ومثله ادْخل وانْبسط واشْرب وكل
He says to the guest he called with love and care
“Enter and feel at ease and drink and eat”
إذا ظفرت عندهُ بموعدٍ
يقول كم مال أفادته يدي
When you obtain an appointment with him
He says “How much wealth have my hands produced?”
له يراع كم له في خطرهِ
حماية منظومة مع درَّه
For him possessions are considered in danger
With protection that is systematic along with his pearls
في الجود والبأس وفي العلمِ وفي
ذلكَ منسوب إليه فاعْرف
In generosity, courage, knowledge and in
That he is attributed to it so know
فقولهم أبيض في الهبات
كقولهم أحمر في الصفات
For their saying “white” in gifts
Is like their saying “red” in attributes
شم حدّه يوم الندَى والبأس
فإنَّه ماضٍ بغير لبس
Smell its edge on the day of dew and courage
For it is resolute without ambiguity
لله ما أليَنهُ عند العطا
وما أحدّ سيفه حين السطا
By Allah, how gentle it is in giving!
And how sharp is its sword when unsheathing!
يهزّه ذو الرفع في العلاء
والجزم في الفعلِ بلا امْتراء
The nominative shakes it in highness
And the jussive in the verb without disputing
حبر له يثني الثناء قصدهُ
وخلفهُ وإثرهُ وعنده
Ink that praises it, its purpose is to commend it
And its follow-up, trace, and in its presence
إن قالَ قولاً بين الغرائبا
وقام قسّ في عكاظ خاطبا
If it spoke a word among wonders
And a priest stood in Ukaz delivering a sermon
وإن سخا أتى على ذي العددِ
والكيل والوزن ومذروع اليدِ
And if it was generous, it came upon those counted
Of measure, weight, and limited hands
معطَّل السمع من العذَّال
فحالهُ مغير بحال
Deafening hearing from the blamers
So its state changes the state
الفضل جنس بيته المهنى
ونوعه الذي عليه يبنى
Merit is the substance of its occupational home
And its specific form upon which it builds
سامَ بهِ أهل العلا جميعاً
وادْفع ولا ردًّا ولا تفريعا
It reached all people of knowledge completely
So go forth without rebuttal or ramification
وإن ذكرت أفق بيتٍ قد نما
فانْصب وقل كم كوكباً يحوي السما
And if you mention the horizon of a house that grew
Then make accusative and say “how many stars the sky contains”
بين نظيم المجد والعلاء
عند جميع العرَبِ العرباء
Between the composer of glory and loftiness
According to all eloquent Arabs
يقرُّ من يأتي له أو اقْترب
وكل منسوب إلى اسمٍ في العرب
It pleases whoever comes to it or draws near
And all those attributed to a name among Arabs
تقول مصر في علاه الواجبه
كقول سكَّان الحجاز قاطبَه
You say Egypt in its obligatory loftiness
Like the people of Hijaz say collectively
أبنية الأنصار طلاَّع الفنن
وزادَ مبنى حسنه أبو الحسن
The buildings of the Helpers, the peaks of arts
And the building of its beauty was increased by Abu Al-Hasan
جار إذا ما امْتدَّت الأيادِي
تقول هذا طلحة الجواد
A neighbor, when hands extend
You say “This is the generous Talha”
إذا اجْتليت في العطا جبينهُ
أو اسْتشرت للرجا يمينه
When its forehead shines in giving
Or its right hand is sought for hope
تقول قد خلتُ عنه تولى راحل
وواقف بالبابِ أضحى السائل
You say “I left it, it took care of the traveling mounts”
And the beggar at the door became the questioner
فياض سيب في الورَى فلم يقل
في هبةٍ يا هب مَن هذا الرجل
A torrential rain whose hands did not withhold in giving
Did anyone say about a gift “who is this man?”
قال لهُ الشرع امْض ما تحاوله
وأقْض قضاء لا يردّ قائله
The law told it “carry out what you attempt”
“And judge with a judgement none can rebut”
وأنتَ يا قاصدهُ سرْ في جددْ
واسع إلى الخيرات لقّيت الرّشد
As for you, O its seeker, set out in renewal
And seek the virtues, you will attain guidance
إن تكتحل سناه تلقى الرشدا
وأين ما تذهب تلاق سعدَا
If you use its years as kohl, you will attain guidance
And wherever you go, you meet with happiness
فافْخر به سحب الحيا إن صابا
واسْتوتْ المياه والأخشابا
So boast of it, clouds of life, if it gears up
And the waters and wooden planks became equal
ولا تقل كانَ غماماً ورحل
كانَ وما انْفكَّ الفتى ولم يزل
And do not say it was a cloud and departed
It was and the noble youth did not cease nor desist
باب سواه اهْجر عداك عيب
وصغِّر الباب فقل بويب
Apart from it, shun others' faults
And minimize the door so say “a little”
هذا الذي يفعل فينا الطولا
فقدم الفاعل فهو أولى
This one who acts upon us, the tall
So mention the agent first, for it is more fitting
جود به أنسى أحاديثَ المطر
فليسَ يحتاج لها إلى خبر
Its generosity made me forget rain tales
For it has no need of news for it
مثل الهبا فيه كلام العذَّل
والريح تلقاء الحيا المنهل
The like of its gifts, the words of blamers
And the wind facing the downpouring clouds
وبحر شعر خضتهُ لذكرهِ
وغصت في البحرِ ابْتغاء درِّه
And a sea of poetry churned for mentioning it
And I dove into the sea seeking its pearls
حتَّى ملا عيني نداه عينا
وطبتُ نفساً إذ قضيتُ دينا
Until my eyes filled with its radiance, springs
And I delighted a soul when I fulfilled a debt
دونكها معسولة الآداب
ممزوجة بملحةِ الإعراب
Apart from it, refined in manners
Mixed with the saltiness of grammar
مضى بها الليل مضيِّ الأنجم
وبات زيدٌ ساهراً لم ينم
The night passed with it passing of stars
And Zayd stayed up awake, did not sleep
فافْتح لها باب قبول يجتلى
وإن تجد عيباً فسدّ الخللا
So open for it the door of acceptance that appears
And if you find a fault, then mend the defect
لا زلتَ مسموع الثنا ذا مننِ
جائِلة دائرة في الألسن
You remain heard of praise, with favors
Descending, circulating among tongues
ما لعداك راية تقام
وليس غير الكسر والسلام
None have a banner erected but you
And there is no declension except kasra and peace