ودادُك في قلبي ألذُّ من المُنَى
وذكُرك أحلَى في اللَّهاة من الشّهدِ
Your affection in my heart is more delightful than wishes,
Your love in my heart is sweeter than wishes
and remembrance of you is sweeter on the palate than honey.
And your memory more delicious than honey during life's joys
فلستُ بمحتاج إلى أن تُعينَه
بما نتجَتْه الباسقاتُ من الولدِ
So I have no need for you to reinforce it
So I have no need for the fruits produced
with the offspring borne by the towering palms.
By the tall palm trees and the children
ولكنّما أذكرتَنى بشمائل
جعلنَ على المُهدَى الفضيلة للمُهِدى
But you reminded me of qualities
But indeed when you reminded me of the noble qualities
that give the giver merit over the recipient.
You made excellence obligatory for the guided one over the cradle of the guided one
أتتنا هداياك التي لم نجد لها
جزاء سوى الشكر المكلَّل بالحمدِ
Your gifts came to us, for which we found no
Your gifts have come to us, for which we could find
recompense but thanks crowned with praise.
No reciprocation except gratitude garlanded with praise
معاليقُ ياقوت تخالُ ثقوبها
بأَبشِيز كاتِ التّبر نُظِّمنَ في عِقدِ
Ruby pendants—you would think their holes were bored
Jeweled chokers whose holes
with a goldsmith's drill, and the pendants strung in a necklace.
Are strung with amber beads arranged in a necklace
وإنّ نتاجَ النحلِ والنخلِ واحدٌ
وهل بين شكل الحاءِ والخاءِ من بُعدِ
And indeed, the produce of bees and palms is one;
Surely the produce of bees and date palms is one
and is there any difference between the shapes of ḥāʾ and khāʾ?
Is there any difference between the shape of ‘h’ and ‘kh’?
أتت في مُروطٍ من يراعٍ كأنها
من القصَب المصرىِّ تختال في بُردِ
They came in cloaks of reed, as though
They came in a box as if it were
they strutted in striped mantles of fine Egyptian linen.
Made of Egyptian reed displaying its coldness
وقد قدَّرتْ كفُّ الصَّناعِ التئامَها
كتقدير دوادَ المساميرَ في السَّردِ
And the skilled artisan's hand had measured their fitting,
The craftsman’s palm predetermined their perfection
as David measured the rivets in weaving mail.
Like the arrangement of nails in a bracelet
تعانقنَ فيها كاعتناق حبائبٍ
فما نتعاطاهنَّ إلا على جهدِ
They embraced within them like sweethearts embracing;
They cling together like the embrace of loved ones
so we could take them only with effort.
We only take them gently
إذا فرّقتهنّ البنانُ تشبَّثت
بمثل هَباء الشمسِ خوفا من البُعدِ
When fingertips parted them, they clung
If the fingers separate them, they cling
to something like dust in sunlight, for fear of separation.
To the sun's rays, fearing distance
وأخرى تجلَّت في قميِص زجاجةٍ
كما ضُمِّن القنديلُ لألأةَ الوقْدِ
And another appeared in a glass bottle's shirt,
Another was embodied in a glass flask
as a lamp is filled with the glitter of flame.
As a lantern encompasses the burning wick
نفَوا قلبها القاسي وآووا مكانَهُ
رقيقا وإن ساواه في اللون والقدِّ
They banished its hard heart and lodged in its place
They removed its hard heart and sheltered in its place
a tender one, though matching it in color and size.
One delicate, though equal in color and size
فو الله ما أدرى أذاك نَحِيتةٌ
من الزُّبد أم هذا مصوغٌ من الزُّبِد
So, by God, I cannot tell—is that a carving
By God, I don’t know, is that transparent
of butter, or is this fashioned from butter?
Foam or molded from foam?
بكا للتنائى بعضُها فوق بعِضها
دماً مُجْسَدا في صِبغة اللحم والجلد
Some of them, above the others, wept at separation,
Weeping for their separation, some atop others
blood congealed in the hue of flesh and skin.
Blood incarnated in the dye of flesh and skin
وزادت بلون الزعفران تصبُّغا
ولا تَشنَعُ الحسناءُ من حمرةِ الخدِّ
And they deepened their coloring with saffron's hue;
And with saffron they took on more color
nor is a beauty marred by a cheek's redness.
The beautiful woman is not averse to rosy cheeks
فتلك بَرانٍ أم مخازنُ جوهر
حُشينَ فريداتٍ من العنبر الوردِ
Are those jars, then, or storehouses of jewels,
Are those flasks or treasure stores
filled with rare gems of rose-colored ambergris?
Filled with unique amber and roses?
إذا قلَّبتهنّ الأكفُّ تعجُّبا
توهّمها الراءون تلعبُ بالنَّردِ
When hands turn them over in wonder,
When palms turn them over in wonder
onlookers imagine those hands playing dice.
The observer imagines they are playing with dice
وشهباء يُستجلَى الضَّريبُ بلونِها
وطينتُها من عنصر الحَجر الصَّلدِ
And a gray-white one, whose color brings frost into view,
And one whose flame can be ignited by its color
and whose clay is of the substance of hard stone.
Molded from the essence of solid rock
مقابَلة الأضلاع كان مثالُها
قياسا لذى القَرنَين في زُبَر السدِّ
With facing sides, its form was
Its ribs aligned as a model
a model for Dhul-Qarnayn's blocks in the barrier.
Of the two-horned one’s in pillars of granite
عَدُوَّة مانى في البياض كأنّها
ولونَ المشيبِ قد أقاما على عهدِ
Mani's foe in whiteness, as though it
An enemy of blemishes in whiteness as if
and the hue of gray hair had remained bound by a pact.
The color of old age had pledged against it
وما عطَّر الأثوابَ مثلُ مقدَّمٍ
على المسك والكافور والعُودِ والنَّدِّ
And nothing has perfumed garments like this, preferred
And nothing has perfumed clothes like a gift
over musk, camphor, aloeswood, and blended incense.
Above musk, camphor, aloeswood, and ambergris
أيادٍ توالت منك عًجلَى كأنها
شَرارٌ أطارته الأكفُّ من الزَّندِ
Favors came from you in swift succession, as though they
Hands that came in quick succession as if
were sparks that hands sent flying from the fire-stick.
Sparks the palms released from flint
وإنىَ في عَجزى عن الشكر سائلٌ
مساعدتى مَن كلَّم الناسَ في المهدِ
And in my inability to give thanks, I ask
And I, incapable of gratitude, ask
for help from the one who spoke to people in the cradle.
For aid from the one who spoke to people in the cradle
Sol 6.1