تَذَكَّرَ أيامَه الخالِيه
فما رَقَأت عَبرةٌ جَاريه
He remembered his bygone days,
He recalled his empty days gone by
So no flowing tear would cease.
As tears flowed copiously from his eye
أقولُ لمُعتكِرِ الطُّرَّتَيِنِ
مَنَ الغَيثِ مُلتَهِبِ الحاشِيه
I say to the cloud with darkened edges,
I say to the one cloaked in sorrow
A raincloud whose fringe is aflame:
Who is this rain, fervent at the seam?
على الرَّبَضِ المُرتَدي بالرَّياضِ
سِجالُك والبيعةِ الدَّانيه
Upon the suburb robed in gardens,
On the soft grass dressed in meadows
Let your downpours fall—and upon the nearby church,
Your dispute and the flowing cup between us
على طَلعةِ الجَدِّ نَغنَى بها
عن الصُّبحِ في اللَّيلةِ الدَّاجِيه
On the rise of al-Jadd; it suffices us
On the rise of nobility we sang of it
Instead of dawn on the pitch-dark night.
Better than the dawn in the darkening night
فَكَم ثَمَّ من ظَبيةٍ عاطلٍ
وكم ثَمَّ من روضةٍ حالِيَه
How many an unadorned gazelle is there,
So how many desolate gazelles are there
And how many an adorned garden!
And how many gardens now deserted
وحَسناءَ لمَّا يشِن حُسنَها
تَقادمُ أعوامِها الماضيه
And a beauty whose loveliness has not yet been marred
And a beauty when her splendor fades
By the passage of its bygone years;
As her past years go marching by
ومأهولةٍ من تَماثِيلِها
إذا هي يوماً غدَت خَاليه
And one peopled by its statues,
And a populated place made of statues
When one day it stands empty;
One day finds itself empty
وما منحَ الشمسَ شَمَّاسُها
وما خَبَأ القَسُّ في الخابيه
And what its deacon offered the sun,
The sun did not give its musician
And what the priest hid in the wine-jar.
Nor did the arch conceal in the ruins
فسَقياً لملعبِ غِزلانِها
وأَعظُمِ رُهبانِها البَاليه
So may rain bless the playground of its gazelles,
A toast to its frolicking gazelles
And the moldering bones of its monks,
And its tallest minarets in decay
وساحرةِ الطَّرفِ مَطبوعةٍ
على الظَّرفِ مُقسِمةٍ شَافيه
And a woman of bewitching gaze, born
The coy glance of the charmer
To grace, fair-featured and healing,
Stamps definitively on the circumstance
ونقشِ عَبيرٍ على وَجنةٍ
ُ
كما نُقِشَ الوَرد ُبالغاليه
And a pattern of fragrant perfume on a cheek,
A scent etched on a cheek
As a rose is patterned with ghaliya perfume.
As a rose etched with henna
رِباعٌ تَقَّنصتُ غِزلانَها
وقَارَعتُ آسادَها الضَّاريه
Dwellings whose gazelles I hunted,
Hunting grounds where I hunted its gazelles
And whose savage lions I fought.
And contended with its vicious lions
إذا غنَّتِ الطَيرُ فيها ضُحىً
حَسِبْتُ القِيانَ بها شَاديه
When the birds sang there at forenoon,
When the birds sang at dawn there
I thought the slave songstresses were singing there.
I imagined the singers were rejoicing
وإن راحَ رُعيانُها أْطْرَبَتْكَ
فَواقِدُ أولادِها الثَّاغيه
And if their shepherds returned at evening, you were moved
And when its shepherds were entertained
By the bleating mothers bereft of their young.
Like mothers cradling babes crying
لَقِيتُ سروري بها كاملاً
وصافحْتُ كأسي بها وافِيه
There I found my joy complete,
I found my joy completely in it
And shook hands with my cup there, brimming.
And shook its cup in agreement
فإِن أرَها سَالِماً أستَلِم
فَوارِعَ أركانِها العالِيه
If, safe and sound, I see them, I shall touch
If I see it safe I will greet it
The soaring tops of their lofty corners.
And climb its lofty pillars
وَإنْ أَغْشَ حَانَةَ أُترُجَّةٍ
أَمُت ثالثَ الدَّنَّ والباطيه
And if I visit Utrujja's tavern,
And if I sneak into a bar
I shall die, making a third with the wine-vat and bowl.
I will die happy in debauchery
ويَغمِزُ كفِّيَ كَفَّ النَّديمِ
ويُومِضُ طَرفي إلى السَّاقِيه
And my palm squeezes the drinking companion's palm,
My friend winks at my hand
And my eye flashes toward the cupbearer.
And my eyes hint to the cupbearer
وأسبُقُ بالسُّكرِ أُولَى الصَّلاَةِ
وَأّثْنِي العِنانَ إلى الثانيه
And I reach drunkenness before the first prayer,
I precede the first prayers in drunkenness
And turn the reins toward the second.
And loosen the reins toward the next
وأَضرِبُ بالفَصِّ وجهَ الثَّرى
فإمَّا عليَّ وإمَّا لِيه
And strike the earth's face with the die:
I strike the ground with my axe
Either against me or in my favor.
Either for me or against me
فإن كُنتَ للخُلدِ رَيحانةً
فدَعني أكنْ حَطَبَ الهاويه
So if you are a basil sprig for Paradise,
If you are a meadow for eternity
Then let me be firewood for the Abyss.
Let me be the kindling of the abyss
وإن كنتَ تَدعو إلى مَذهبٍ
فإني إلى تَركِه دَاعيه
And if you call others to a creed,
And if you call to a creed
Then I call them to abandon it.
I am calling to abandon it
Sol 6.1