باشرenjoy سعودكyour good fortunes ليسis not الوقتthe time بالدونof little worth
باشر سعودك ليس الوقت بالدون
واجعلand make صبوحكyour morning draught عندat بابthe gate of سعدونSaadoun
واجعل صبوحك عند باب سعدون
Enjoy your good fortune; this is no paltry time.
Begin your joy, now is not the time for sorrow
And take your morning draught at Bab Saadoun.
And make your mornings at the door of Sa'dun
واصحبand take as a companion إلىto الأنسconviviality جذلانglad الفؤادof heart إذاwhen
واصحب إلى الأنس جذلان الفؤاد إذا
طغتran high حميّاكyour intoxication قادguided الصعبthe unruly باللينwith gentleness
طغت حميّاك قاد الصعب باللين
And take a glad-hearted companion to your revels, who, when
And bring to companionship a gentle heart if
your intoxication runs high, guides the unruly with gentleness.
Your zeal leads the difficult with gentleness
ماذاwhy التوقّفholding back عنfrom عيشa life تسرّyou are delighted بهin it
ماذا التوقّف عن عيش تسرّ به
وقطعand spending آنكyour time فيin حدسconjecture وتخمينand guesswork
وقطع آنك في حدس وتخمين
Why hold back from a life that brings you joy,
Why stop living in pleasure
and spend your time in conjecture and guesswork?
And suppose you are in speculation and guessing
فاخلعso cast off عذارthe bridle التوقّيcaution منagainst عواقبهits consequences
فاخلع عذار التوقّي من عواقبه
ماnot الحزمprudence ترككyour abandoning قطعيّاsomething certain لمظنونfor something conjectural
ما الحزم تركك قطعيّا لمظنون
So cast off the bridle of caution over its consequences;
So take off the adornment of waiting for consequences
prudence is not abandoning certainty for conjecture.
Prudence never left you decidedly for the assumed
أماdo you not ترىsee الروضthe garden قدindeed ألقىspread السحابthe clouds بهin it
أما ترى الروض قد ألقى السحاب به
علىby طريقway of الغواديthe morning showers أيّwhat splendid بزيونbrocade
على طريق الغوادي أيّ بزيون
Do you not see the garden, where the clouds have spread
Do you not see the garden has cast clouds in it
by way of morning showers—what splendid brocade!
On the path of valleys, oh beauty
قدindeed وشحتهgarlanded it فنونvarieties of النورblossoms وانبسطتand spread out
قد وشحته فنون النور وانبسطت
علىover خمائلهits groves ظلّthe shade of الأفاتينboughs (reading uncertain)
على خمائله ظلّ الأفاتين
Varieties of blossom have garlanded it, and there has spread
The arts of light have clothed it and expanded
over its groves the shade of boughs.
On its bendings the shade of vines
كأنماas though قزحthe rainbow لماwhen تقوّسarched فيthrough
كأنما قزح لما تقوّس في
ارجائهits reaches رشّهsprinkled it منwith كلevery تلوينhue
ارجائه رشّه من كل تلوين
As though the rainbow, when it arched through
As if the rainbow when it arched in
its reaches, had sprinkled it with every hue.
Its corners sprayed it with every color
وقفand stop هناhere بأبيat Abu فهرFihr المحيلdesolate فقدfor indeed
وقف هنا بأبي فهر المحيل فقد
مضتpassed away بهin it دولةthe reign of الشمthe lofty العرانينof noses
مضت به دولة الشم العرانين
And pause here at desolate Abu Fihr, for
Stop here with my father Fahr al-Muhill he passed
the reign of the lofty-nosed has passed away there.
With him the reign of the brilliant Arabs
ترyou will see الحناياthe arches كسطرlike a row of النخلpalms مدّextended بهalong it
تر الحنايا كسطر النخل مدّ به
بعضone لبعضto another بمحنيّby curved العراجينdate-stalks
بعض لبعض بمحنيّ العراجين
You will see the arches like a row of palms, linked along it,
You see the palm trees like a line of palm trees stretched
one to another by curved date-stalks;
Some to some with curved palm branches
أوor خرّدٍshy maidens نهضتrose للرقصto dance فاعتنقتand then embraced
أو خرّدٍ نهضت للرقص فاعتنقت
كيلاso as not to تجيءthey come برقصwith a dance غيرnot موزونmeasured
كيلا تجيء برقص غير موزون
or like shy maidens who rose to dance and embraced,
Or a dancer who stood up to dance and embraced
so as not to dance out of measure.
Lest she comes with a dance not rhythmic
ولستand you are not صاحبa man of ظرفrefinement إنif مررتyou passed علىby
ولست صاحب ظرف إن مررت على
مرسىMarsa (anchorage) الظريفal-Zarif (the refined) ولمand did not تنزلyou stay إلىfor حينa while
مرسى الظريف ولم تنزل إلى حين
And you are no man of refinement if you pass by
And I am not a man of wit if I passed by
Marsa al-Zarif without staying awhile.
The harbor of the witty and did not dock for a while
والعبدليّاتand the Abdaliyyat تحكيresemble فيin تصنّعهاtheir artful display
والعبدليّات تحكي في تصنّعها
ضرائراًrival wives جئنthey came فيwith غنجcoquetry وتزيينand adornment
ضرائراً جئن في غنج وتزيين
And the Abdaliyyat, in their artful display, resemble
And the odes tell in their affectation
rival wives arriving with coquetry and adornment.
Secrets that came in melody and adornment
وماand not مقيمa resident لدىamid الأفياthe shade بسكّرةat Soukra
وما مقيم لدى الأفيا بسكّرة
علىat القلاليةQallaliyya الغنّاlush بمغبونshortchanged
على القلالية الغنّا بمغبون
And no one dwelling in the shade at Soukra,
And I am not staying with the esteemed with sugar
at verdant Qallaliyya, is shortchanged.
On the hills singing with the deceived
ولوand if وقفتyou stopped بقلمرتat Gammarth التيwhich جمعتgathered
ولو وقفت بقلمرت التي جمعت
شطوطهاits shores بينbetween مرعىthe grazing ground of الظبيthe gazelle والنونand the fish
شطوطها بين مرعى الظبي والنون
And if you stopped at Gammarth, which has gathered
And if you stood at the fortress which gathered
along its shores the grazing grounds of gazelle and fish—
Its banks between the pasture of gazelles and fish
وملand turn aside لمنّوبةtoward Manouba وقتat the time of العشيّevening إذاwhen
ومل لمنّوبة وقت العشيّ إذا
ماجsurged الأصيلُthe late afternoon بهاin it بينamong البساتينthe gardens
ماج الأصيلُ بها بين البساتين
and turn toward Manouba at evening, when
And inclined towards Manouba at night when
the late afternoon surges there among the gardens.
The camp there mingled between the gardens
وانظرand look إلىat القصرthe palace والأخرىand the others تناظرهface it
وانظر إلى القصر والأخرى تناظره
مثلlike البيادقthe pawns طافتcircled بالفرازينaround the chess viziers
مثل البيادق طافت بالفرازين
And look at the palace and the others facing it,
And look at the palace and the other overlooking it
like pawns circling the chess viziers.
Like tents hovering with the horsemen
والطيرand the birds تصدحsing out فيalong حافاتهاtheir edges زمراin bands
والطير تصدح في حافاتها زمرا
جموعcrowds of عجمnon-Arabs أتتcame to بعضsome of الدواوينthe courts
جموع عجم أتت بعض الدواوين
And birds sing in bands along their edges,
And the birds chirp in its outskirts, groups
crowds of foreigners come to some court.
Of Persian melodies that came in some rhymes
ورحand go لرادسto Rades العلياupper وقبتّهاand its dome
ورح لرادس العليا وقبتّها
بينamid الفرادسthe paradise gardens تبدوappears مثلlike شاهينa peregrine falcon
بين الفرادس تبدو مثل شاهين
And go to upper Rades, whose dome,
And go to the upper Raad and its dome
among the paradise gardens, appears like a peregrine falcon.
Among mansions appears like a falcon
حتىuntil إذاwhen ماemphatic particle قضيتyou fulfilled البعضa part منof وطرa desire
حتى إذا ما قضيت البعض من وطر
ورمتand you sought إيقاعperforming فرضٍan obligatory duty بعدafter مسنونa recommended observance
ورمت إيقاع فرضٍ بعد مسنون
At last, when you have fulfilled part of your desire,
Until you fulfill some of intimacies
and wish to perform an obligation after a recommended observance,
And compose the rhythm of an obligation after accustomed
فاركضso run إلىto ضحوةmidmorning المركاضal-Mirkad (the racecourse) وانسand forget بهاin it
فاركض إلى ضحوة المركاض وانس بها
ماwhatever كانwas عندكwithin you منof وحيwhisperings of الشياطينthe devils
ما كان عندك من وحي الشياطين
race to al-Mirkad at midmorning, and forget there
Then race to Duhwah racetrack and be intimate with it
whatever whisperings of devils you had within you.
Whatever devilish inspiration you had
واحضرand visit عشيّةin the evening بابthe Gate of البحرthe Sea مغتبطاrejoicing
واحضر عشيّة باب البحر مغتبطا
فربّماfor perhaps نفّستyou brought relief عنto نفسthe soul of محزونsomeone sorrowful
فربّما نفّست عن نفس محزون
And visit Bab al-Bahr in the evening, rejoicing;
And attend the evening at the Sea Gate happily
for perhaps you will ease a sorrowing soul.
Perhaps it would vent a grieving soul
أمّاas for ترنجةTronja فهيthen it is البرءhealing لوif only سلمتwere safe
أمّا ترنجة فهي البرء لو سلمت
ساحاتهاits squares الفسحspacious منfrom لسعthe bites of الثعابينsnakes
ساحاتها الفسح من لسع الثعابين
As for Tronja, it is healing—if only there were safety
As for Tinja, it is safe if its
in its spacious squares from the bites of snakes.
Spacious plains were safe from snakes' bites
وادفعand press on إلىtoward البيتthe house منthrough بابthe Gate of المنارةthe Beacon أوor
وادفع إلى البيت من باب المنارة أو
بابthe Gate الجديدthe New إلىtoward سوقthe market of الرياحينfragrant herbs
باب الجديد إلى سوق الرياحين
And head toward the house through Bab al-Manara, or
And head to the house from the Minaret door or
Bab al-Jadid, toward Souq al-Rayahin.
The new door to the scent market
وطفand stroll منfrom البركةal-Baraka المعمورwell attended جامعهاits mosque
وطف من البركة المعمور جامعها
إلىto الرباعthe quarters إلىto ركنthe corner of القرصطونthe steelyard
إلى الرباع إلى ركن القرصطون
And stroll from al-Baraka, whose mosque is well attended,
And roam from the populated pond, its mosque
to al-Riba', to the corner of al-Qarastun.
To the square, to the Byzantine corner
واخشand beware الجمارthe embers لدىby بئرthe well of الحجارthe stones إذاwhen
واخش الجمار لدى بئر الحجار إذا
سعيتyou hastened منهاfrom it إلىto حمامthe bathhouse of زرقونZarqun
سعيت منها إلى حمام زرقون
And beware the embers by Bi'r al-Hijar, when
And fear the coal at the Well of Rocks when
you hasten from there to Hammam Zarqun.
You strive from it to the Zirkoon bathhouse
وإنand if خرجتyou went out إلىto روضthe garden of السعودgood fortunes فقفthen stop
وإن خرجت إلى روض السعود فقف
كماas عرفتyou have learned وبتand spend the night فيin دربthe lane of زيتونZaytun (olives)
كما عرفت وبت في درب زيتون
And if you go out to Rawd al-Su'ud, then stop
And if you go out to Rowdh Al Saud, then stop
as you have learned, and spend the night in Darb Zaytun.
As you knew and spent the night in the lane of olive
تلكthose المنازلthe dwellings لاnot الزهراal-Zahra وقرطبةand Cordoba
تلك المنازل لا الزهرا وقرطبة
كلاno indeed لعمريby my life ولاnor غيطانthe fields of جيرونJayrun
كلا لعمري ولا غيطان جيرون
Those are the dwellings—not al-Zahra and Cordoba;
Those residences, neither Az-Zahra nor Cordoba
no, by my life, nor the fields of Jayrun!
By my life, nor Ghitan Jirun
فصدso hunt سوانحهاtheir auspicious quarry إنif أمكنتكit is within your reach وإنand if
فصد سوانحها إن أمكنتك وإن
تعسرتit proved difficult فاستعنthen seek help بمثلfrom someone like فركونFarkun
تعسرت فاستعن بمثل فركون
So hunt their auspicious quarry, if it is within your reach; and if
So engage their charms if you can, and if
it proves difficult, then seek help from someone like Farkun.
It is difficult then seek the example of Farqun
ولاand do not تصدhunt غيرother than ساجيtranquil اللحظof gaze ذاpossessing حورdark irises against bright whites
ولا تصد غير ساجي اللحظ ذا حور
فأنتfor you are فيin غيرother than هذاthis غيرnot مأذونpermitted
فأنت في غير هذا غير مأذون
And hunt none but one with a tranquil gaze and bright, dark-centered eyes;
And do not block the tender glance of a houri
for beyond this you have no permission.
For you are in this unauthorized
واستمنحand ask for a gift of السعدgood fortune منfrom عندthe presence of الجوادthe generous one بهwith it
واستمنح السعد من عند الجواد به
واستغنand have no need إنif نلتهyou obtain it عنof كنزthe treasure of قارونQarun
واستغن إن نلته عن كنز قارون
And ask for good fortune from the one who gives it freely,
And seek fortune from the Generous through it
and, if you attain it, have no need of Qarun's treasure.
And suffice if you get it, instead of Qarun's treasure
ولاand do not تقلsay كيفhow يدنوdraws near ماwhat أوملّهI hope for it
ولا تقل كيف يدنو ما أوملّه
فإنfor indeed مغزاكyour goal بينbetween الكافthe letter kaf والنونand the letter nun
فإن مغزاك بين الكاف والنون
And do not say, "How can what I hope for draw near?"
And do not say how can what I hope for come close
For your goal lies between the letters kaf and nun.
For your purpose is between Kaaf and Noon
Sol 6.1