ياO مجهدexhausting النَفسthe soul فيin نيلattaining المُنىwishes طَمَعاًgreedily
يا مجهد النَفس في نيل المُنى طَمَعاً
الجَدُّgood fortune يَجديكbenefits you لَيسَnot المالwealth ياO رَجُلman
الجَدُّ يَجديك لَيسَ المال يا رَجُل
O you who exhaust your soul, greedily pursuing wishes,
Good fortune helps you, not wealth, O man.
إِنيindeed I تَلونتchanged my colors للدُنياfor the world تَلونهاits changing colors
إِني تَلونت للدُنيا تَلونها
وَاختلتُand I schemed against دَهريmy time فَماbut not أَجدتنيbenefited me الحيلstratagems
وَاختلتُ دَهري فَما أَجدتني الحيل
I changed my colors for the world as it changed its own,
And I schemed against my time, but my stratagems did me no good.
وَلَيسَand not يَحظىenjoys بِسَعدwith the good fortune of المُشتَريJupiter أَبَداًever
وَلَيسَ يَحظى بِسَعد المُشتَري أَبَداً
مَنone who لَيسَis not مُنتَقِلاًdeparting عَنfrom بُرجِهِhis zodiacal sign زحلSaturn
مَن لَيسَ مُنتَقِلاً عَن بُرجِهِ زحل
No one ever enjoys Jupiter's good fortune
Whose zodiacal sign Saturn will not leave.
وَلاand not تُنالis attained بِغَيرwithout الجَدgood fortune مَأربةٌan aim
وَلا تُنال بِغَير الجَد مَأربةٌ
لاnot يَقطَعcuts السَيفthe sword ماwhat لاnot يَسبُُprecedes (uncertain reading) الأَجَلthe appointed time of death
لا يَقطَع السَيف ما لا يَسبُُ الأَجَل
And no aim is attained without good fortune;
The sword cuts nothing unless death's appointed hour [comes first].
فيin قصَتيmy story عَجَبٌa marvel فَاِسمَعso listen إِليّto me فَماfor not
في قصَتي عَجَبٌ فَاِسمَع إِليّ فَما
أَتَتbrought بِمثلwith the like of حَديثيmy tale الأَعصرthe ages الأَولthe former
أَتَت بِمثل حَديثي الأَعصر الأَول
There is a marvel in my story; listen to me, for never
Have the ages of old brought a tale like mine.
رَأَيتI saw قَوماًpeople بِنَظمby composing الشعرpoetry قَدalready وَصَلواthey reached
رَأَيت قَوماً بِنَظم الشعر قَد وَصَلوا
إِلىto المُنىwishes وَأُنيلواand were granted فَوقَbeyond ماwhat سأَلواthey asked for
إِلى المُنى وَأُنيلوا فَوقَ ما سأَلوا
I saw people who, by composing poetry, had attained
Their wishes, and been granted more than they asked.
فَقُلتso I said ماليwhat ails me لَمdid not أَسلكI follow سَبيلهمtheir path
فَقُلت مالي لَم أَسلك سَبيلهم
أَلَيسَis it not بيabout me فيin القَوافيrhymes يُضرَبis cited المَثَلthe example
أَلَيسَ بي في القَوافي يُضرَب المَثَل
So I said: why have I not followed their path?
Am I not cited as the model in rhymed verse?
لَوif أَنthat نَظمcomposing غَريبthe rare kind of الشعرpoetry مَعرَكَةٌa battle
لَو أَن نَظم غَريب الشعر مَعرَكَةٌ
ماnot كانَwould be غَيريَanyone but me فيهِin it الفارسthe knight البَطَلthe champion
ما كانَ غَيريَ فيهِ الفارس البَطَل
If composing rare poetry were a battle,
None but I would be its champion knight.
كَمhow long بِالقَصابةin the butcher's trade لاnot أَنفكI cease فيin سَغبٍhunger
كَم بِالقَصابة لا أَنفك في سَغبٍ
وَفيand in المَدائحpraise-poems عَنهاaway from it لِلفَتىfor a man حِولan escape
وَفي المَدائح عَنها لِلفَتى حِول
How long must I remain hungry at the butcher's trade,
When praise-poems offer a man an escape from it?
وَسوّلتand tempted ليme نَفسيmy soul أَنto أَقوI engage (text incomplete) بِهاin it
وَسوّلت لي نَفسي أَن أَقو بِها
وَطشتُand I acted rashly وَالطَيشُand rashness مَقرونٌcoupled بِهِwith it الزَللerror
وَطشتُ وَالطَيشُ مَقرونٌ بِهِ الزَلل
And my soul tempted me to [take it up],
And I acted rashly—rashness is coupled with error.
حَتّىuntil إِذاwhen حكتُI wove أَثوابgarments المَديحof praise إِذاbehold
حَتّى إِذا حكتُ أَثواب المَديح إِذا
بِجودُwith the generosity of لابِسِهاtheir wearer قَولٌwords وَلاand no عَمَلdeeds
بِجودُ لابِسِها قَولٌ وَلا عَمَل
Until, when I wove garments of praise, behold:
Their wearer's generosity was words, not deeds.
فَقُلتُso I said وَاليَأسwhile despair مستولٍmastering عَلىover أَمليmy hope
فَقُلتُ وَاليَأس مستولٍ عَلى أَملي
ماnot كُلُevery ذيpossessor of أَمَلٍa hope يَصفوturns out well لَهُfor him الأَملthe hope
ما كُلُ ذي أَمَلٍ يَصفو لَهُ الأَمل
So I said, as despair mastered my hope:
Not everyone with a hope sees that hope fulfilled.
لَماwhen بَداbecame clear ليto me أَنthat الشعرpoetry مسغبةٌstarvation
لَما بَدا لي أَن الشعر مسغبةٌ
وَحَظُّand the lot of ناظمهits composer الحرمانdeprivation وَالبُخلand miserliness
وَحَظُّ ناظمه الحرمان وَالبُخل
When it became clear to me that poetry meant starvation,
And its composer's lot was deprivation and miserliness,
عَدلتI turned away عَنهُfrom it وَقُلتand I said المَوتdeath أَيسَرeasier مَنthan
عَدلت عَنهُ وَقُلت المَوت أَيسَر مَن
تَسآلbegging from قَومٍpeople إِذاwhen ماever اِستُمنِحواthey are asked for gifts بخلواthey act miserly
تَسآل قَومٍ إِذا ما اِستُمنِحوا بخلوا
I turned away from it and said: death is easier than
Begging from people who grow miserly when asked for gifts.
حَسبيenough for me القَصابةthe butcher's trade لاnot أَبغيI seek بِهاfor it بَدَلاًa substitute
حَسبي القَصابة لا أَبغي بِها بَدَلاً
مِنwhoever قرfound comfort بِالشَيءin a thing عَيناًin the eye عزهُwas hard for him البَدلreplacement
مِن قر بِالشَيء عَيناً عزهُ البَدل
The butcher's trade suffices me; I seek no substitute for it.
Whoever finds a thing a comfort to his eye finds it hard to replace.
وَكانَand was عَهديmy previous knowledge بِهاof her غَراءَradiant وَاصِلَةًaffectionate
وَكانَ عَهدي بِها غَراءَ وَاصِلَةً
إِذاsuddenly بِهاwith her فاركa husband-hating wife تَجفوshe shuns وَلاand does not تَصلshe maintains ties
إِذا بِها فارك تَجفو وَلا تَصل
And I had known her as radiant and affectionate,
Suddenly she was a wife full of loathing, shunning me and withholding affection.
فَكُنتso I was مثلlike المُباريone parting from زَوجهhis wife فركاًout of loathing
فَكُنت مثل المُباري زَوجه فركاً
وَشَرand the worst خيمِcharacter traits of الرِجالmen العُذرexcuses وَالمَللand weariness
وَشَر خيمِ الرِجال العُذر وَالمَلل
So I was like a man parting from his wife out of loathing,
And men's worst traits are excuse-making and weariness.
حَتّىuntil إِذاwhen اِستَبانَتshe separated عَنهُfrom him وَاِتَصَلَتand joined herself
حَتّى إِذا اِستَبانَت عَنهُ وَاِتَصَلَت
بِغَيرِهِto someone other than him وَبَداand became apparent مَنfrom رَأيِهِhis judgment الخَطلَthe folly
بِغَيرِهِ وَبَدا مَن رَأيِهِ الخَطلَ
At last, when she had parted from him and joined herself
To another, and his faulty judgment had become plain,
أَبدىhe showed إِلَيهاto her ضُروباًvarious forms مِنof مَحبتهاlove for her
أَبدى إِلَيها ضُروباً مِن مَحبتها
وَفيand in جَوانِحِهاher breast مِنof بُغضِهِhatred for him جُملheaps
وَفي جَوانِحِها مِن بُغضِهِ جُمل
He showed her his love in many forms,
While her breast held heaps of hatred for him.
فَظَلand kept يُدمنpersisting in قَرعgnashing السنthe teeth مِنfrom نَدَمٍregret
فَظَل يُدمن قَرع السن مِن نَدَمٍ
أَيّانwhen لاno ندمregret يَجديavails وَلاnor حيلstratagems
أَيّان لا ندم يَجدي وَلا حيل
And he kept gnashing his teeth in regret,
When neither regret nor stratagems could help.
أَوor كَالغُرابlike the crow رَأىit saw مِنfrom جوهits sky حَجلاًa partridge
أَو كَالغُراب رَأى مِن جوه حَجلاً
فَقالَso it said قَدindeed بزنىoutdid me فيin مَشيهِits gait الحَجَلthe partridge
فَقالَ قَد بزنى في مَشيهِ الحَجَل
Or like the crow that saw a partridge from the air,
And said: the partridge has outdone me in its gait.
ثُمَthen اِنبَرىit set about حَسَداًout of envy مِنهُon its part لِيَحكيهاto imitate it
ثُمَ اِنبَرى حَسَداً مِنهُ لِيَحكيها
فيin المَشيwalking وَالطَبعand nature شَيءa thing لَيسَdoes not يَنتَقلchange
في المَشي وَالطَبع شَيء لَيسَ يَنتَقل
Then, out of envy, it set about imitating it
In walking—yet nature is not a thing that changes.
لَماwhen تَيَقنit became certain أَنthat الأَمرthe task يُعوزهeludes it
لَما تَيَقن أَن الأَمر يُعوزه
وَأَنand that ذَلِكَthat شَيءsomething ماnot بِهِfor it قِبلability
وَأَن ذَلِكَ شَيء ما بِهِ قِبل
When it knew for certain that the task was beyond it,
And that it had no power to do such a thing,
رَأىit judged الرُجوعreturning إِلىto مَعهودaccustomed مشيتهits gait
رَأى الرُجوع إِلى مَعهود مشيته
أَولىmore fitting بِهِfor it فَإِذاbut suddenly فيin مَشيهِits gait خَبلimpairment
أَولى بِهِ فَإِذا في مَشيهِ خَبل
It judged a return to its accustomed gait
More fitting for it—but suddenly its gait was impaired.
فَلاso neither إِلىto مَشيهits gait المَعهودaccustomed عادَit returned وَلاnor
فَلا إِلى مَشيه المَعهود عادَ وَلا
نالَit attained المُرادthe aim وَبانَand became clear العَجزُincapacity وَالكَسَلand laziness
نالَ المُراد وَبانَ العَجزُ وَالكَسَل
So it neither returned to its accustomed gait nor
Reached its aim; its incapacity and laziness became plain.
وَإِنَّنيand indeed I مثلُهُlike it وَافقتهI matched it سَفهاًfoolishly
وَإِنَّني مثلُهُ وَافقته سَفهاً
فيin الرَأيjudgment لامَينَno lie فيin قَوليmy words وَلاnor خَطلerror
في الرَأي لامَينَ في قَولي وَلا خَطل
And I am like it: I matched it foolishly
In judgment—there is no lie or error in my words.
لاneither بِالقَصابةthrough butchery أَستوليI secure عَلىover أَمليmy hope
لا بِالقَصابة أَستولي عَلى أَملي
وَلاnor بِشعريthrough my poetry إِلىto نَيلattaining المُنىwishes أَصلI reach
وَلا بِشعري إِلى نَيل المُنى أَصل
Neither through butchery do I gain what I hope for,
Nor through my poetry do I fulfill my wishes.
مُذَبذبwavering غَيرnot حاظfortunate فيin سَبيلَهُماthe path of both
مُذَبذب غَير حاظ في سَبيلَهُما
مثلlike النَعامةthe ostrich لاneither طَيرa bird وَلاnor جَمَلa camel
مثل النَعامة لا طَير وَلا جَمَل
Wavering, with no good fortune in either path,
Like the ostrich: neither bird nor camel.
Sol 6.1