أَيُّهاO الكاتِبُthe writer المُصَوِّرُthe painter صَوِّرportray
أَيُّها الكاتِبُ المُصَوِّرُ صَوِّر
مِصرَEgypt بِالمَنظَرِin the scene الأَنيقِelegant الخَليقِbefitting
مِصرَ بِالمَنظَرِ الأَنيقِ الخَليقِ
O writer-painter, portray
O painter who depicts, portray
Egypt in a scene both elegant and befitting.
Egypt with a delicate, graceful scene
إِنَّindeed مِصراًEgypt رِوايَةُthe tale of الدَهرِtime فَاِقرَأso read
إِنَّ مِصراً رِوايَةُ الدَهرِ فَاِقرَأ
عِبرَةَthe lesson of الدَهرِtime فيin الكِتابِthe book العَتيقِancient
عِبرَةَ الدَهرِ في الكِتابِ العَتيقِ
Indeed, Egypt is the tale of time; so read
Indeed Egypt is the tale of time so read
time's lesson in the ancient book.
The moral of time in the ancient book
مَلعَبُa stage مَثَّلَenacted القَضاءُFate عَلَيهِupon it
مَلعَبُ مَثَّلَ القَضاءُ عَلَيهِ
فيin صِباthe youth of الدَهرِtime آيَةَthe miracle of الصِدّيقِthe Truthful One (Joseph)
في صِبا الدَهرِ آيَةَ الصِدّيقِ
A stage on which Fate enacted,
It was toyed with by destiny in
in time's youth, the miracle of Joseph the Truthful,
The youth of time, a sign of the truthful one
وَاِمِّحاءَand the effacement of الكَليمِGod's interlocutor (Moses) آنَسَhe perceived ناراًa fire
وَاِمِّحاءَ الكَليمِ آنَسَ ناراً
وَاِلتِجاءَand the refuge-seeking of البَتولِthe Virgin (Mary) فيin وَقتِa time of ضيقِdistress
وَاِلتِجاءَ البَتولِ في وَقتِ ضيقِ
and the effacement of Moses, who perceived a fire,
And the wink of the devoted one found fire
and the Virgin Mary's seeking refuge in a time of distress,
And the refuge of the virgin in time of distress
وَمَناياand the deaths of مِنّاMina فَكِسرىthen Khosrow فَذيthen the possessor of القَرal-Qar- (first fragment of 'the two horns')
وَمَنايا مِنّا فَكِسرى فَذي القَر
نَينِ-nayn (completing 'the two horns') فَالقَيصَرَينِthen the two Caesars فَالفاروقِthen al-Faruq
نَينِ فَالقَيصَرَينِ فَالفاروقِ
and the deaths of Mina, then Khosrow, then Dhu al-Qar-
And our death knells so Chosroes, he of the throne
nayn, then the two Caesars, then al-Faruq.
The two Caesars, and the Farooq
دُوَلٌdynasties لَمdid not تَبِدperish وَلَكِنand yet تَوارَتhid themselves
دُوَلٌ لَم تَبِد وَلَكِن تَوارَت
خَلفَbehind سِترٍa veil مِنَof الزَمانِtime رَقيقِthin
خَلفَ سِترٍ مِنَ الزَمانِ رَقيقِ
Dynasties did not perish, but hid themselves
States that did not appear but were concealed
behind a thin veil of time.
Behind a thin veil of time
رَوضَتيmy garden اِزَّيَّنَتadorned herself وَأَبدَتand displayed حُلاهاher ornaments
رَوضَتي اِزَّيَّنَت وَأَبدَت حُلاها
حينَwhen قالواthey said رِكابُكُمyour mounts فيon الطَريقِthe road
حينَ قالوا رِكابُكُم في الطَريقِ
My garden adorned herself and displayed her ornaments
My garden adorned itself and displayed its beauty
when they said, 'Your mounts are on the road.'
When they said your steeds are on the road
مِثلَlike عَذراءَa maiden مِنamong عَجائِزِthe old women of روماRome
مِثلَ عَذراءَ مِن عَجائِزِ روما
بَشَّروهاthey brought her good news بِزَورَةِof a visit by البَطريقِthe patriarch
بَشَّروها بِزَورَةِ البَطريقِ
Like a maiden among Rome's old women,
Like a virgin of the old women of Rome
whom they gladdened with news of the patriarch's visit.
They gave her tidings of the Patriarch's visit
ضَحِكُthe laughter of الماءِthe water وَالأَقاحيand the daisies عَلَيهاupon her
ضَحِكُ الماءِ وَالأَقاحي عَلَيها
قابَلَتهُgreeted it الغُصونُthe branches بِالتَصفيقِwith applause
قابَلَتهُ الغُصونُ بِالتَصفيقِ
The laughter of the water and the daisies upon her—
The laughter of water and apples upon it
the branches greeted it with applause.
The branches reciprocated with applause
زُرنَهاthey (feminine) visited her وَالرَبيعُwith spring فَصلاًas the season فَخَفَّتso she hastened
زُرنَها وَالرَبيعُ فَصلاً فَخَفَّت
نَحوَtoward رَكبَيكُماyour two caravans خُفوفَthe haste of المَشوقِone who yearns
نَحوَ رَكبَيكُما خُفوفَ المَشوقِ
They visited her with spring as the season, and she hastened
Adorn it and spring a season so it swooned
toward your two caravans, with the haste of one who yearns.
Toward your two steeds light with yearning
فَاِنزِلاso alight, you two فيin عُيونِthe eyes of نَرجِسِهاher narcissus الغَضِّtender
فَاِنزِلا في عُيونِ نَرجِسِها الغَضِّ
صِياناًfor safekeeping وَفَوقَand upon خَدِّthe cheek of الشَقيقِthe anemone
صِياناً وَفَوقَ خَدِّ الشَقيقِ
So alight, you two, in the eyes of her tender narcissus,
So descend in its narcissus eyes' protection
for safekeeping, and upon the anemone's cheek.
Chastely and above the cheek of the sweet.
Sol 6.1