اللَفظthe expression إِنif أريدَis intended مِنهُby it الظاهِرُthe apparent meaning
اللَفظ إِن أريدَ مِنهُ الظاهِرُ
حَقيقةliteral usage مجازُهits figurative usage مغايرdifferent
حَقيقة مجازُه مغاير
An expression, if its apparent meaning is intended,
is literal; its figurative meaning differs.
لاno بُدّescape مِنfrom عَلاقةٍa relationship تَكونexists
لا بُدّ مِن عَلاقةٍ تَكون
بَينَهماbetween the two of them تقربis close أَوor تَبينis distant
بَينَهما تقرب أَو تَبين
There must be a relationship
between the two, whether close or remote.
مثالُهits example مقالthe saying بعضsome of العُربانthe Bedouins
مثالُه مقال بعض العُربان
صارَhas become الثَريدُtharīd (bread soaked in broth) فيat رُؤوسthe heads العيدانthe stalks
صارَ الثَريدُ في رُؤوس العيدان
For example, the saying of some Bedouins:
“Tharīd is now atop the stalks.”
أَرادَhe meant بِالثَريدِby tharīd حَبَّthe grain السُنبُلَهthe ear of grain
أَرادَ بِالثَريدِ حَبَّ السُنبُلَه
سَماهhe named it بِالشَيءِafter the thing الَّذيwhich يَؤولُeventually turns لَهinto it
سَماه بِالشَيءِ الَّذي يَؤولُ لَه
By “tharīd” he meant the grain in the ear;
he named it after what it would become.
وَفيand in الأَعمِّthe broader sense جعلواthey made مَدارَهits scope
وَفي الأَعمِّ جعلوا مَدارَه
كِنايةًindirect expression تَمثيلاًanalogical representation اِستعارَهmetaphor
كِنايةً تَمثيلاً اِستعارَه
And, in the broader sense, they made it encompass
indirect expression, analogical representation, and metaphor.
كِنايةindirect expression أَنto تثبتyou ascribe المَعنىthe meaning لَماto that which
كِناية أَن تثبت المَعنى لَما
يَكونُit is عَنfrom وجوهِهِits aspects قَدalready لزماhas necessarily followed
يَكونُ عَن وجوهِهِ قَد لزما
Indirect expression is to ascribe a meaning to something
from whose aspects it necessarily follows.
كَقولهمas in their saying يتعبُtires هنداًHind رِدفُهاher buttocks
كَقولهم يتعبُ هنداً رِدفُها
كَمثلjust like ماwhat يريحgives relief دَعداًDaʿd عِطفُهماthe flank of both of them
كَمثل ما يريح دَعداً عِطفُهما
as in their saying, “Hind's buttocks tire her,”
just as the flank of both of them gives Daʿd relief.
وَذاand this one رَمادُthe ashes قَدرهhis cooking pot جَليلُabundant
وَذا رَمادُ قَدره جَليلُ
وَذاand this one نجادُthe baldric سيفِهِhis sword طَويلlong
وَذا نجادُ سيفِهِ طَويل
And this man's cooking-pot ashes are plentiful,
and this man's sword-baldric is long.
دَلاthe two indicate عَلىto الجودِgenerosity وَطولِand tallness القامهstature
دَلا عَلى الجودِ وَطولِ القامه
كِلاهُماboth of them لذاof this وَذاand that علامهa sign
كِلاهُما لذا وَذا علامه
The two indicate generosity and tall stature,
each a sign of its corresponding trait.
وَرُبماand sometimes يُنسَبُis attributed ماwhat يرادُis intended
وَرُبما يُنسَبُ ما يرادُ
لشاملٍto an enclosing thing لِمَنfor the one who لَهُbelongs to him المرادthe intended quality
لشاملٍ لِمَن لَهُ المراد
And sometimes the intended quality is ascribed
to something enclosing the person who possesses it.
نَحوَas in رقاشُRaqāsh الحُسنbeauty فيin بُردَيهاher two cloaks
نَحوَ رقاشُ الحُسن في بُردَيها
وَحَبَّذاand how lovely التُفاحُthe apples فيin خَدّيهاher two cheeks
وَحَبَّذا التُفاحُ في خَدّيها
as in: “Raqāsh—beauty is in her two cloaks,”
and “How lovely are the apples in her cheeks!”
وَالنَحوُand grammar وَاللُغىand the languages لسيبويهbelonging to Sībawayh
وَالنَحوُ وَاللُغى لسيبويه
فيin قُبةٍa tent مَضروبةٍpitched عَلَيهover him
في قُبةٍ مَضروبةٍ عَلَيه
And, for Sībawayh, grammar and languages
are in a tent pitched over him.
تَمثيلهits analogical representation كَنحوas in إِنّindeed بشراBishr
تَمثيله كَنحو إِنّ بشرا
مُقَدِّمٌputting forward رجلاًone foot مُؤخرdrawing back أُخرىthe other
مُقَدِّمٌ رجلاً مُؤخر أُخرى
Its analogical representation is as in: “Indeed, Bishr
puts one foot forward and draws the other back,”
إِذاwhen يَكونُis فعلُهhis conduct تردُّداhesitation
إِذا يَكونُ فعلُه تردُّدا
فيover فعلهِdoing it أَوor تَركهleaving it undone ماwhat قَدalready بَداhas arisen
في فعلهِ أَو تَركه ما قَد بَدا
when his conduct is hesitation
over doing or leaving undone what has arisen.
وَنَحوand as in لَمdid not يَبرحcease أَبوfather of المَناقِبthe virtues
وَنَحو لَم يَبرح أَبو المَناقِب
يفتلtwists فيat ذروتهhis hump's crest والغاربand the withers
يفتل في ذروته والغارب
And as in: “Abū al-Manāqib kept
twisting at his hump's crest and withers,”
إِذاwhen غَداhe sets about مُستسهلاًmaking easy ماwhat استصعباhe found difficult
إِذا غَدا مُستسهلاً ما استصعبا
كَيماso that يَنالhe may obtain مِنهfrom it ماwhat قَدalready طَلَباhe sought
كَيما يَنال مِنه ما قَد طَلَبا
when he sets about easing what he found difficult,
so as to gain from it what he sought.
وَجَعلكand your making اسمthe name مُشبِهa similar thing عبارهan expression
وَجَعلك اسم مُشبِه عباره
عَنfor مشبهthe thing compared ذَلِكَthat الاستعارهmetaphor
عَن مشبه ذَلِكَ الاستعاره
And your using the name of a similar thing as an expression
for the thing compared—that is metaphor,
بِشَرطon condition of فقدانِthe absence أَداةٍa marker للشَّبهfor likeness
بِشَرط فقدانِ أَداةٍ للشَّبه
وَجَعلكand your assigning الشَيءthe thing لشيءto a thing لَيسَis not لَهbelonging to it
وَجَعلك الشَيء لشيء لَيسَ لَه
provided that no marker of likeness is used;
and your assigning something to a thing that does not possess it,
نَحوas in محتerased خُطاthe footprints الدُجىof darkness كَفthe palm الصَباحof morning
نَحو محت خُطا الدُجى كَف الصَباح
وَقَدand indeed جَرىhas flowed ريقthe saliva النَدىof dew عَلىover الأَقاحthe daisies
وَقَد جَرى ريق النَدى عَلى الأَقاح
as in: “Morning's palm erased the footprints of darkness,”
and “The saliva of dew has flowed over the daisies.”
Sol 6.1