ابوهاher father يريكshows you البؤسthe misery فيin عهدthe time of لهوهhis merriment
ابوها يريك البؤس في عهد لهوه
وامهاand her mother فيin عهدthe time of المسراتjoys مأتماa mourning scene
وامها في عهد المسرات مأتما
Her father shows you misery in the days of his merriment;
Her father shows you misery in his revelry
and her mother, amid joys, a scene of mourning.
And her mother mourns in days of merriment
وَقَدand already خيمsettled الحزنthe sorrow المجسمembodied فوقهمover them
وَقَد خيم الحزن المجسم فوقهم
وواهاand alas اذاwhen الحزنthe sorrow المجسمembodied خيماmade its camp
وواها اذا الحزن المجسم خيما
Embodied sorrow has settled over them;
Sorrow embodied looms above their heads
and alas when embodied sorrow makes its camp!
Alas, embodied sorrow looms
وَماand not أَهلthe family of لَيلىLayla بينamid ذاكَthat سشوىexcept (apparent typo) امرىءa person
وَما أَهل لَيلى بين ذاكَ سشوى امرىء
يرىsees العَيشlife اوصاباafflictions واخرand another مبهماinscrutable
يرى العَيش اوصابا واخر مبهما
And Layla’s family, amid all this, were nothing but one person
None of Layla's family between this and that except one man
who sees life as afflictions, and another inscrutable.
Who sees life pitiful and the end ambiguous
يَجسfeels لهاfor her الكفthe palm الطَبيبthe doctor وَكفهand his palm
يَجس لها الكف الطَبيب وَكفه
تمثلappears as عندto البنتthe girl صاباbitter sap وَعلقماand colocynth
تمثل عند البنت صابا وَعلقما
The doctor feels her palm, and his own hand
The doctor feels her pulse and his hand
seems to the girl bitter sap and colocynth.
Appears as a youth before the girl and frozen
وَيشخصand he stares فيat لَيلىLayla وَيَنظرand he looks بَعدَهاafter looking at her
وَيشخص في لَيلى وَيَنظر بَعدَها
الىtoward والدa father ركناa corner منof البيتthe house لازماkeeping to
الى والد ركنا من البيت لازما
He stares at Layla, then turns his gaze
He glances at Layla and looks after her
toward a father keeping to one corner of the house.
To a pillar of the house adhering
يعزيهconsoles him بالعينwith the eye الَّتيwhich ربmany a نظرةglance
يعزيه بالعين الَّتي رب نظرة
بهاwith it نحوtoward مَرموقsomeone looked upon تفوقsurpasses التكلماspeaking
بها نحو مَرموق تفوق التكلما
He consoles him with his eye—for many a glance
Consoling him with the eye that Lord's glance
cast toward another surpasses spoken words.
With it towards the lofty transcending speech
ولماand when اِنحَنىhe bowed بالبابat the door عندat خروجهhis departure
ولما اِنحَنى بالباب عند خروجه
يسلمbidding farewell بعضsome of الحزنthe sorrow للأَهلto the family سلماhe handed over
يسلم بعض الحزن للأَهل سلما
When he bowed at the door as he was leaving,
And when he bent by the door upon leaving
bidding farewell, he handed the family a share of grief.
He bids some sorrow to the family farewell
راتshe saw اهلهاher family لاذواthey clung بهاto her وَكأَنَّهمand as though they
رات اهلها لاذوا بها وَكأَنَّهم
يريدونthey want أَنto يسصحبوهاtake her along (apparent typo) إِلىto السَماheaven
يريدون أَن يسصحبوها إِلى السَما
She saw her family cling to her, as though they
Her family clung to her as if
wished to take her along to heaven.
They want to take her to the sky
فانطقهاso it made her speak حبa desire for التَشفيrevenge واظهرتand she revealed
فانطقها حب التَشفي واظهرت
لهمto them باسهاher fierceness والياسand despair فيهمamong them تجسماtook form
لهم باسها والياس فيهم تجسما
The desire for revenge made her speak, and she revealed
Then love of healing made her speak and she showed
her fierceness to them, while despair took shape among them.
Them her despair and despair in them embodied
وَقالَتand she said تَبكونyou weep over املصابthe calamity (apparent typo) وَلَمand did not يَكنbe
وَقالَت تَبكون املصاب وَلَم يَكن
لنيرانهfor its fires غيرother than التَعنتobstinacy مضرهاa kindler (apparent typo)
لنيرانه غير التَعنت مضرها
And she said, “You weep over this calamity, though nothing
And said, you cry for my plight but there was not
but obstinacy kindled its fires.
For its fires but obstinacy harmful
يعزis grievous عليكمto you موتthe death of شخصيmy person وقبلهand before it
يعز عليكم موت شخصي وقبله
بعثتمyou sent لِقَلبيto my heart المضوتdeath (apparent typo) مذsince كانit was مغرماin love
بعثتم لِقَلبي المضوت مذ كان مغرما
My body’s death grieves you, though before it
You grieve for my death yet before it
you sent death to my heart ever since it fell in love.
You sent my heart smitten as it was enamored
فَماso what ليis with me أَراكمI see you حولaround نَعشيmy bier جَميعكمall of you
فَما لي أَراكم حول نَعشي جَميعكم
سِوىexcept واحِدone بعديafter me سَيَقضيwill die متيماenslaved by love
سِوى واحِد بعدي سَيَقضي متيما
Why, then, do I see you all around my bier,
So why do I see you all around my bier
except one who will die after me, love-stricken?
Except one after me who will live enamored
تقدمcame forward كلeveryone محدقاstaring بِتَعاسَتيat my misery
تقدم كل محدقا بِتَعاسَتي
واحمدand Ahmad وَيليwoe to me آهah! لنwill not يتقدماcome forward
واحمد وَيلي آه لن يتقدما
Everyone has come forward, staring at my misery,
Each staring at my misery
yet Ahmad—woe is me, ah!—will not come forward.
And I thank my plight, ah will not proceed
دعوهlet him يكنbe يومon the day of اِرتِحاليmy departure مشاهداa witness
دعوه يكن يوم اِرتِحالي مشاهدا
فَتاةa girl راتwho deemed عيشa life of الهَوانhumiliation محرماforbidden
فَتاة رات عيش الهَوان محرما
Let him, on the day of my departure, behold
Let him on the day of my departure be present
a girl who deemed a life of humiliation forbidden.
A girl who saw the life of disgrace forbidden
دعواlet عينهhis eye تبصرsee مَسائيmy distress فانfor indeed ليI have
دعوا عينه تبصر مَسائي فان لي
فؤاداa heart إِذاwhen جاءَcomes الحَبيبthe beloved تنعماfinds delight
فؤادا إِذا جاءَ الحَبيب تنعما
Let his eye behold my distress, for I have
Let his eyes see my evenings for I have
a heart that delights when the beloved comes.
A heart that when the beloved comes, luxuriates
دعونيlet me اودعbid farewell to منthe one whom قضيتI perished بحبهthrough his love
دعوني اودع من قضيت بحبه
اسىin sorrow علنيperhaps I القيI may utter المناجاةintimate words باسماsmiling
اسى علني القي المناجاة باسما
Let me bid farewell to him for whose love I have been dying
Let me bid farewell to the one I was fatally in love with
of grief; perhaps I may utter intimate words with a smile.”
Sorrow openly mentioning his name
وَجاءَand came ابنthe son of عمthe paternal uncle of البنتthe girl يصفرturns pale وجههhis face
وَجاءَ ابن عم البنت يصفر وجهه
إِذاwhen ماever (emphatic) دضناhe drew near (apparent typo) منهاto her قَليلاa little وَكلماand he spoke
إِذا ما دضنا منها قَليلا وَكلما
The girl’s paternal cousin came, his face turning pale
And her cousin came, his face yellowing
as he drew a little nearer to her and spoke.
Whenever we moved away from her a little and spoke
فَعادَتthen returned اليهاto her الروحthe spirit وافترand parted in a smile ثغرهاher mouth
فَعادَت اليها الروح وافتر ثغرها
كذلكlikewise ثغرthe mouth of القومthe company لماwhen تبسماit smiled
كذلك ثغر القوم لما تبسما
Then her spirit returned, and her lips parted in a smile;
Then the spirit returned to her and her mouth smiled
the others’ lips did likewise when hers smiled.
As did the mouths of the people when she smiled
وَقالَتand she said لَهُمto them خلواleave حَبيبيmy beloved بِجانِبيby my side
وَقالَت لَهُم خلوا حَبيبي بِجانِبي
قَليلاa little while فولواso they turned away كلهمall of them وَتقدماand he came forward
قَليلا فولوا كلهم وَتقدما
She said to them, “Leave my beloved by my side
And she said to them, leave my beloved beside me
awhile.” They all turned away, and he stepped forward.
A little, so they all left and he proceeded
اشارَتshe pointed إِلىto الكُرسيthe chair وَلماand when استوىhe settled بهon it
اشارَت إِلى الكُرسي وَلما استوى به
عَلىon خدهاher cheek الدمعthe tears اِستَوىsettled وَتنظماand formed a string
عَلى خدها الدمع اِستَوى وَتنظما
She pointed to the chair, and when he sat upon it,
She gestured to the chair and when he sat in it
tears settled on her cheek and formed a string.
On her cheek the tears symmetrically streamed
وَقالَتand she said بصوتin a voice يجعلthat makes الرطبthe moist يابِساdry
وَقالَت بصوت يجعل الرطب يابِسا
لَقَدindeed آنَhas come مَوتيmy death انindeed مَوتيmy death تحتماbecame inevitable
لَقَد آنَ مَوتي ان مَوتي تحتما
And she spoke in a voice that turns the moist dry:
And she said in a voice that makes the juicy dry
“My time to die has come; my death is inevitable.
"My death has come if my death is destined"
وَلكنand yet ليI have سراa secret خَطيراًgrave اريدI want أَنto
وَلكن لي سرا خَطيراً اريد أَن
ابثكهI disclose it to you كَيso that تَستَفيقyou come to your senses وَتَعلماand you know
ابثكه كَي تَستَفيق وَتَعلما
But I have a grave secret that I wish
But I have a perilous secret I want to
to tell you, so you may come to your senses and know.
Tell you so you can awaken and learn
هناكthereupon يَكونwill be المَوتdeath راحَتيmy rest الَّتيwhich
هناك يَكون المَوت راحَتي الَّتي
اؤملهاI hope for it فاسمعso listen حَديثيmy words مقسماswearing an oath
اؤملها فاسمع حَديثي مقسما
Thereupon, death will be the rest that
Therein is my death, my comfort
I hope for; so hear my words, spoken under oath.”
That I hope for, so listen to my oath
وَمذand when فتحتshe opened فاهاher mouth لتطلعto acquaint حبهاher beloved
وَمذ فتحت فاها لتطلع حبها
عَلىwith السرthe secret ماتَتshe died قبَلbefore أَنto تَتَكَلماshe speaks
عَلى السر ماتَت قبَل أَن تَتَكَلما
And when she opened her mouth to acquaint her beloved
And when she opened her mouth to reveal her love
with the secret, she died before she could speak.
She died before she could speak
Sol 6.1