لجأتI sought refuge لشعريfor my poetry إلىto مكتبيmy desk
لجأت لشعري إلى مكتبي
ولمand did not أدرI know ماwhat سيديmy master وأهبيbestowing on me (likely واهبي)
ولم أدر ما سيدي وأهبي
I sought refuge for my poetry at my desk,
I sought refuge in my poetry, in my office,
And did not know what my master would bestow on me.
Not knowing what it would offer me.
فيعرضso displays ذهنيmy mind علىon (likely عليّ, 'before me') الحياbeginning of 'life'
فيعرض ذهني على الحيا
ةending of 'life' كسوقٍlike a market تعرضis displayed للناقبfor the examiner
ة كسوقٍ تعرض للناقب
Then my mind displays before me li—
My mind displayed life to me like a market,
—fe, like a market laid out for the examiner.
Exhibiting its wares to the discerner.
ففيهاfor in it المليحُthe beautiful وفيهاand in it القبيbeginning of 'the ugly'
ففيها المليحُ وفيها القبي
حُending of 'the ugly' وكلٌّand each تهيأhas readied itself للراغبfor whoever desires
حُ وكلٌّ تهيأ للراغب
For in it is the beautiful, and in it the ugl—
In it was the beautiful and the ugly,
—y, and each is ready for whoever desires it.
And each was readied for the desirer.
فيوحىso is revealed إليto me بماwith what كنتI used to لاnot
فيوحى إلي بما كنت لا
أخيلُI imagine طاعاًobediently (uncertain form) إلىto الكاتبthe writer
أخيلُ طاعاً إلى الكاتب
So I am inspired with what I never used to
It inspired in me what I hadn't imagined,
imagine—obedient to the writer.
Obediently yielding to the writer.
غرابيبintensely black سودblack وحمرand red وبيضand white
غرابيب سود وحمر وبيض
وأشياءُand things فيin العجبwonder العاجبِastonishing
وأشياءُ في العجب العاجبِ
Pitch-black things, and red and white,
Black, red, and white pigeons,
And things of astonishing wonder:
And wondrously wondrous things.
جنانٌgardens وبيدٌand deserts وزهرُand blossoms وشوand beginning of 'thorns'
جنانٌ وبيدٌ وزهرُ وشو
كٌending of 'thorns' وماءand water وحبُّand grain منىdesires الساغبthe hungry one
كٌ وماء وحبُّ منى الساغب
Gardens and deserts, blossoms and th—
Gardens, deserts, flowers and thorns,
—orns, and water and grain—the hungry one's desires;
Water, and beloved wine for the drinker.
وتلكand that السماءsky وماand what تحتهاbeneath it
وتلك السماء وما تحتها
وماand what فوقabove منamong نجمهاits stars الثاقبpiercing
وما فوق من نجمها الثاقب
And that sky, and what lies beneath it,
That sky, and what lies under it,
And what lies above, among its piercing stars;
And what lies above, of its piercing stars.
ودورٌand dwellings تضيقُare cramped وتلكand those القصوbeginning of 'palaces'
ودورٌ تضيقُ وتلك القصو
رُending of 'palaces' بهاin them حليةُadornment العزِّof glory للراكبِfor the rider
رُ بها حليةُ العزِّ للراكبِ
And cramped dwellings, and those pal—
Homes that narrow, and those palaces
—aces, with glory's adornment for the rider;
Adorned with the glory of riders.
وقومٌand people لهمthey have هيئةthe bearing العابدينof worshippers منfrom الشbeginning of 'the sheikh' (irregular split)
وقومٌ لهم هيئة العابدين من الش
شَيخِsheikh (irregular continuation) للعشto the nest (unclear here) للراهبto the monk
شَيخِ للعش للراهب
And people with the bearing of worshippers, from the sh—
And people with the mien of worshippers,
—eikh, to the nest [unclear], to the monk.
From the old man to the monk, the hermit.
لكلٍّfor each مقامa station فمنso from جنةٍa paradise
لكلٍّ مقام فمن جنةٍ
لنارٍto fire إلىto ملعبthe playing field اللاعبof the player
لنارٍ إلى ملعب اللاعب
Each has a station: from paradise
Each has a station, from heaven
to hell, to the player's playing field.
To hell, to the playground of the player.
فأنعمتso I considered carefully ماwhat لاحappeared ليto me صائقاًas a craftsman (likely صائغاً)
فأنعمت ما لاح لي صائقاً
أصبI pour الطبيعةnature فيinto قالبيmy mold
أصب الطبيعة في قالبي
So I pondered what appeared to me, as a craftsman,
I obtained casually what had not occurred to me,
Pouring nature into my mold
Nature poured itself into my mold,
منof الشعرpoetry لكنbut بهin it حمكةwisdom (likely حكمة)
من الشعر لكن به حمكة
تقدمis offered كالراحlike wine للشاربto the drinker
تقدم كالراح للشارب
Of verse, but with wisdom in it,
Of poetry, but with wisdom
Offered like wine to the drinker.
That comes like wind to the drinker.
فيثنيso praises علىon (likely عليّ, 'me') الجيسُthe companion (likely الجليس) الأديبcultured ولمand did not
فيثني على الجيسُ الأديب ولم
أدرِI know إنwhether كانhe was بالصائبin the right
أدرِ إن كان بالصائب
Then the cultured companion praises me, and I did not
So the gentle critic praises me, and I don't know
know whether he was right.
If he is right or just being kind.
فربfor many a مدارٍtactful person لهhe has العذرُthe excuse أنto
فرب مدارٍ له العذرُ أن
يجاملshow courtesy بالسترby concealment للعائبfor the flawed person
يجامل بالستر للعائب
For many a tactful person has an excuse to
For many who err are excused
show courtesy by shielding the one at fault.
If they cover with discretion the lapser.
فإنso if كانhe had جاملنيflattered me مشبعاًsatisfying
فإن كان جاملني مشبعاً
غروريmy vanity فذنبيthen my fault علىrests upon صاحبيmy friend
غروري فذنبي على صاحبي
So if he flattered me, feeding
And if he flatters me, filling my arrogance,
my vanity, then my fault rests upon my friend.
The sin is on the companion.
ولوand had أخلصhe offered sincerely النصحcounsel ماnot لمتهI would have blamed him
ولو أخلص النصح ما لمته
فلاso no وجهgrounds للنصحconcerning counsel للعائبfor the fault-finder
فلا وجه للنصح للعائب
And had he offered sincere counsel, I would not have blamed him,
Had he been sincere in his advice, he wouldn't fault me,
For the fault-finder has no case against sincere counsel.
So there's no use in advising the lapser.
ولاand no فضلmerit فيin الشعرpoetry إنif قلتهI utter it
ولا فضل في الشعر إن قلته
طباعاًby natural inclination فقوليso what I say منis part of واجبيmy duty
طباعاً فقولي من واجبي
And there is no merit in poetry if I utter it
There's no merit in poetry if I say it
By natural inclination: what I say is part of my duty.
Naturally, for my saying is obligatory.