عُجْturn aside بالحِمَىto the protected grounds حيثُwhere الغِيَاضُthe groves الغِيْنُdense
عُجْ بالحِمَى حيثُ الغِيَاضُ الغِيْنُ
فَعَسَىso perhaps تَعِنَّwill appear لناto us مَهَاهُoryx العِيْنُwide-eyed
فَعَسَى تَعِنَّ لنا مَهَاهُ العِيْنُ
Turn aside to the protected grounds, where the groves are dense;
perhaps wide-eyed oryx will appear to us.
واستَقْبِلَنْand welcome أَرَجَthe fragrance النسيمِof the breeze فَدَارُهُمْfor their abode
واستَقْبِلَنْ أَرَجَ النسيمِ فَدَارُهُمْ
نَدِّيَّةُincense-scented الأرْجَاءِthe quarters لاnot دَارِيْنُDarin
نَدِّيَّةُ الأرْجَاءِ لا دَارِيْنُ
Welcome the fragrance of the breeze, for their abode
is incense-scented throughout—not Darin.
واسْلُكْand follow علىalong آثارِthe tracks يومِthe day رِهانِهِمْtheir race
واسْلُكْ على آثارِ يومِ رِهانِهِمْ
فهناكfor there تُغْلَقُare forfeited للقلوبfor hearts رُهُوْنُpledges
فهناك تُغْلَقُ للقلوب رُهُوْنُ
Follow the tracks of the day of their race;
there the hearts' pledges are forfeited.
حيثُwhere القِبابُthe pavilions الحُمْرُred سَامِيَةُlofty الذُرَىthe summits
حيثُ القِبابُ الحُمْرُ سَامِيَةُ الذُرَى
والأَعْوَجِيَّاتُand the A'waji mares الجِيَادُthe fine steeds صُفُوْنُstanding with one hoof raised
والأَعْوَجِيَّاتُ الجِيَادُ صُفُوْنُ
Where the red pavilions have lofty summits,
and fine A'waji mares stand with one hoof raised;
والسَّمْهَرِيَّةُand the Samhari spears كالنُّهُوْدِlike breasts نَوَاهِدُrising proudly
والسَّمْهَرِيَّةُ كالنُّهُوْدِ نَوَاهِدُ
والمَشْرَفِيَّةُand the Mashrafi swords فيin الجُفُونِthe sheaths جُفُوْنُsleeping
والمَشْرَفِيَّةُ في الجُفُونِ جُفُوْنُ
and Samhari spears rise like swelling breasts,
and Mashrafi swords sleep within their sheaths.
أُفُقٌa horizon إذاwhen ماever رُمْتَyou seek لَحْظَa glimpse شَمُوْسِهِof its suns
أُفُقٌ إذا ما رُمْتَ لَحْظَ شَمُوْسِهِ
صَدَّتْكَbar your way للنَقْعِof the dust المُثارِstirred up دُجُوْنُdarkness
صَدَّتْكَ للنَقْعِ المُثارِ دُجُوْنُ
A horizon: whenever you seek a glimpse of its suns,
the darkness of stirred-up dust bars your way.
يَغْشَاكَconfront you منfrom دُوْنِbefore الغَزَالِthe gazelle ضُبَارِمٌmighty lions
يَغْشَاكَ من دُوْنِ الغَزَالِ ضُبَارِمٌ
فيهin it ومِنْand from قَبْلِbefore الكِنَاسِthe gazelle's covert عَرِيْنُa lion's den
فيه ومِنْ قَبْلِ الكِنَاسِ عَرِيْنُ
Mighty lions confront you before the gazelle;
there, and before the gazelle's covert, stands a lion's den.
أَنَّىhow أُرَاعُcould I be frightened لَهُمْof them وبينand between جَوَانِحِيmy ribs
أَنَّى أُرَاعُ لَهُمْ وبين جَوَانِحِي
شَوْقٌlonging يُهَوِّنُmakes light خَطْبَهُمْtheir menace فَيَهُوْنُso it becomes light
شَوْقٌ يُهَوِّنُ خَطْبَهُمْ فَيَهُوْنُ
How could I fear them, when between my ribs
longing lightens their menace, and it grows light?
أَنَّىhow يَهَابُdoes he fear ضِرابَهُمْtheir blows وطِعَانَهُمْand their thrusts
أَنَّى يَهَابُ ضِرابَهُمْ وطِعَانَهُمْ
صَبٌّa passionate lover بألحاظِby the glances العُيُوْنِof eyes طَعِيْنُpierced
صَبٌّ بألحاظِ العُيُوْنِ طَعِيْنُ
How could their blows and spear-thrusts frighten
a lover pierced by the glances of eyes?
فكَأَنَّمَاso it is as though بِيْضُthe white الصِّفاحِblades جَدَاوِلُstreams
فكَأَنَّمَا بِيْضُ الصِّفاحِ جَدَاوِلُ
وكأنَّماand as though سُمْرُthe dusky الرِّماحِspears غُصُوْنُbranches
وكأنَّما سُمْرُ الرِّماحِ غُصُوْنُ
It is as though the white blades were streams,
and the dusky spears were branches.
ذَرْنِيleave me أَسِرْlet me walk بينbetween الأسِنَّةِthe spearheads والظُّبَىand blade-edges
ذَرْنِي أَسِرْ بين الأسِنَّةِ والظُّبَى
فالقلبُfor the heart فيin تلكthose القِبابِpavilions رَهِيْنُa captive
فالقلبُ في تلك القِبابِ رَهِيْنُ
Leave me to walk among spearheads and blade-edges;
the heart is captive in those pavilions.
فَلَعَلَّهُso perhaps it يُرْوِيwill quench صَدَايَmy thirst بِلَمْحِهِby a glimpse of it
فَلَعَلَّهُ يُرْوِي صَدَايَ بِلَمْحِهِ
وَجْهٌa face بهupon it ماءُthe water الجَمالِof beauty مَعِيْنُflowing freely
وَجْهٌ به ماءُ الجَمالِ مَعِيْنُ
Perhaps a glimpse of it will quench my thirst:
a face upon which beauty's water flows freely.
وَلَعِيmy infatuation بذاتِwith the woman wearing القُلْبِthe bracelet أَفْقَدَhas deprived أَضْلُعِيmy ribs
وَلَعِي بذاتِ القُلْبِ أَفْقَدَ أَضْلُعِي
قَلْبَاًa heart عليهover it ماnot يَرِيْمُceases يَرِيْنُholds sway
قَلْبَاً عليه ما يَرِيْمُ يَرِيْنُ
My passion for the bracelet-wearer has robbed my ribs
of a heart over which it never ceases to hold sway.
تَلْهُوshe amuses herself وأَحْزَنُand I grieve مثلlike ماwhat حَكَمَhas decreed الهَوَىlove
تَلْهُو وأَحْزَنُ مثل ما حَكَمَ الهَوَى
لاnot يَسْتَوِيare equal المسرورُthe joyful والمَحْزُوْنُand the sorrowful
لا يَسْتَوِي المسرورُ والمَحْزُوْنُ
She amuses herself while I grieve, as love has decreed:
the joyful and the sorrowful are not alike.
وتَذَلُّلِيand my abasement لمnot يُجْدِhas availed غَيْرَother than تَذَلُّلٍabasement
وتَذَلُّلِي لم يُجْدِ غَيْرَ تَذَلُّلٍ
والحُسْنُand beauty عِزٌّpower للحِسانِfor beautiful women مَكِيْنُfirmly established
والحُسْنُ عِزٌّ للحِسانِ مَكِيْنُ
My abasement has yielded nothing but abasement,
while beauty grants fair women firmly rooted power.
لاno غَرْوَwonder أنْthat أَصِلَI sustain الغَرَامَpassion بِمُعْرِضٍfor one who turns away
لا غَرْوَ أنْ أَصِلَ الغَرَامَ بِمُعْرِضٍ
غَيْرُone other than المُحِبِّthe lover بماwith what يُدَانُhe is repaid يَدِيْنُhe repays
غَيْرُ المُحِبِّ بما يُدَانُ يَدِيْنُ
No wonder I sustain my passion for one who turns away;
one who does not love repays as he is repaid.
ياO رَبَّةَmistress القُرْطِof the earring المُعِيْرِthat lends خُفُوْقَهُits flutter
يا رَبَّةَ القُرْطِ المُعِيْرِ خُفُوْقَهُ
قَلْبِيmy heart أَمَاis there not لِحِرَاكِهِfor its motion تَسْكِيْنُa calming
قَلْبِي أَمَا لِحِرَاكِهِ تَسْكِيْنُ
O mistress of the earring that lends its flutter
to my heart—is there no stilling its motion?
تَوْرِيْدُthe rosy hue خَدِّكِof your cheek للصِّبَابَةِfor longing مَوْرِدٌa watering place
تَوْرِيْدُ خَدِّكِ للصِّبَابَةِ مَوْرِدٌ
وَفُتُوْرُand the languor طَرْفِكِof your gaze للنُّفُوْسfor souls فُتُوْنُenchantment
وَفُتُوْرُ طَرْفِكِ للنُّفُوْس فُتُوْنُ
Your cheek's rosy hue is a watering place for longing;
and your languid gaze enchants souls.
فإذاso when رَمَقْتِyou glance فَوَحْيُthen the revelation حُبِّكِof your love مُنْزَلٌsent down
فإذا رَمَقْتِ فَوَحْيُ حُبِّكِ مُنْزَلٌ
وإذاand when نَطَقْتِyou speak فإنَّهُthen indeed it تَلْقِينُinstruction
وإذا نَطَقْتِ فإنَّهُ تَلْقِينُ
When you glance, the revelation of your love descends;
and when you speak, it is a lesson imparted.
لولاكِbut for you ماnot أَوْدَىwould have done away الجَوَىburning grief بِتَجَلُّدِيwith my fortitude
لولاكِ ما أَوْدَى الجَوَى بِتَجَلُّدِي
وكَفَاكِand enough for you أنَّكِthat you لِيfor me مُنَىًhopes ومَنُوْنُand death
وكَفَاكِ أنَّكِ لِي مُنَىً ومَنُوْنُ
But for you, burning sorrow would not have destroyed my fortitude;
and enough for you that you are my hopes and my death.
أنتِyou الهَوَىlove لكنَّbut سُلْوَانَthe solace الهَوَىfor love
أنتِ الهَوَى لكنَّ سُلْوَانَ الهَوَى
قَصْرُthe palace ابنِIbn (son of) مَعْنٍMa'n والحديثُand talk شُجُوْنُbranches
قَصْرُ ابنِ مَعْنٍ والحديثُ شُجُوْنُ
You are love; yet the solace for love
is Ibn Ma'n's palace—and talk has many branches.
فالحُسْنُso beauty أَجْمَعُin its entirety ماwhat يُرِيْكَshows you عِيَانُهُseeing it directly
فالحُسْنُ أَجْمَعُ ما يُرِيْكَ عِيَانُهُ
لاnot ماwhat أَرَتْهُhas shown it سَوَالِفٌsides of necks وعُيُوْنُand eyes
لا ما أَرَتْهُ سَوَالِفٌ وعُيُوْنُ
All beauty is what seeing it reveals to you,
not what necks and eyes have shown.
والرَّوْضُand the garden ماwhat اشتَمَلَتْhas encompassed عليهupon it شَمُوْلُهُits encompassing reach
والرَّوْضُ ما اشتَمَلَتْ عليه شَمُوْلُهُ
لاnot ماwhat حَوَتْهُhave contained it أباطِحٌgravelly valleys وحُزُوْنُand rugged uplands
لا ما حَوَتْهُ أباطِحٌ وحُزُوْنُ
And the garden is what its expanse encompasses,
not what gravelly valleys and rugged uplands contain.
قدalready عَطَّلَstripped of adornment الأزهارَthe flowers زاهِرُthe radiant bloom حُسْنِهِof its beauty
قد عَطَّلَ الأزهارَ زاهِرُ حُسْنِهِ
لاneither الوَرْدُthe rose مُلْتَفِتٌregarded ولاnor النِّسْرِيْنُthe eglantine
لا الوَرْدُ مُلْتَفِتٌ ولا النِّسْرِيْنُ
Its radiant beauty has stripped the flowers of their adornment;
neither rose nor eglantine now draws a glance.
فاجعَلْso let جُفُوْنَكَyour eyelids تَجْنِgather منهfrom it فُتُوْرَهُits languor
فاجعَلْ جُفُوْنَكَ تَجْنِ منه فُتُوْرَهُ
نَوْرُthe blossom الخُدُوْدِof cheeks لهfor it الأَكُفُّthe palms جُفُوْنُsheaths
نَوْرُ الخُدُوْدِ له الأَكُفُّ جُفُوْنُ
So let your eyelids gather its languor;
cheek-blossoms have palms for their sheaths.
فَنُجُوْمُهُso its stars زُهْرٌbright ثَوَابِتُfixed لمnot يَرِمْhas sought
فَنُجُوْمُهُ زُهْرٌ ثَوَابِتُ لم يَرِمْ
تَعْدِيْلَهاtheir adjustment زِيْجٌan astronomical table ولاnor قانونُa canon
تَعْدِيْلَها زِيْجٌ ولا قانونُ
Its stars are bright and fixed; none has sought
to adjust them—neither astronomical table nor canon.
والمجلسانِand the two halls النَّيِّرانِradiant تآلفَاhave harmonized
والمجلسانِ النَّيِّرانِ تآلفَا
هَذَاthis فيin البَهَاءِsplendor قَرِيْنُa peer
هَذَا في البَهَاءِ قَرِيْنُ
The two radiant halls have come into harmony;
this one is a peer in splendor.
كالمُقْلَتَيْنِlike the two eyes أوor اليَدَيْنِthe two hands تَأَيَّدَاhave strengthened each other
كالمُقْلَتَيْنِ أو اليَدَيْنِ تَأَيَّدَا
والحُسْنُand beauty يَعْضِدُsupports أَمْرَهُits cause التَّحْسِيْنُembellishment
والحُسْنُ يَعْضِدُ أَمْرَهُ التَّحْسِيْنُ
Like two eyes or two hands, they strengthen one another;
and embellishment supports beauty's cause.
عُطِفَتْwere curved حَنَايَاهُits arches وضُمِّنَand was interwoven بَعْضُهاsome of them
عُطِفَتْ حَنَايَاهُ وضُمِّنَ بَعْضُها
بَعْضَاًothers وسِحْرٌand magic ذلكthat التَّضْمِيْنُinterweaving
بَعْضَاً وسِحْرٌ ذلك التَّضْمِيْنُ
Its arches curve, some interwoven
with others; that interweaving is magic.
كتقاطعِlike the intersection الأفلاكِof the spheres إلاَّexcept أنَّهthat it
كتقاطعِ الأفلاكِ إلاَّ أنَّه
مُتَبَايِنَانِtwo different things تَحَرُّكٌmovement وسُكُوْنُand stillness
مُتَبَايِنَانِ تَحَرُّكٌ وسُكُوْنُ
Like the intersection of the spheres, except that
the two differ: motion and stillness.
فَلَكِيَّةٌcelestial لَوْif أنَّهاthat they حَرَكِيَّةٌin motion
فَلَكِيَّةٌ لَوْ أنَّها حَرَكِيَّةٌ
لاعتدَّwould be counted منهاamong them الرأسُthe Head والتِّنِّيْنُand the Dragon
لاعتدَّ منها الرأسُ والتِّنِّيْنُ
Celestial in form—if they were in motion,
the Head and the Dragon would be counted among them.
تَتَعاقَبُsucceed one another الأَعْصارُthe ages فيهwithin it وَجوُّهُand its air
تَتَعاقَبُ الأَعْصارُ فيه وَجوُّهُ
أبداًalways بهin it آذارُAdhar (March) أوor تَشْرِيْنُTishrin (October/November)
أبداً به آذارُ أو تَشْرِيْنُ
The ages succeed one another there, yet its air
is always Adhar or Tishrin.
وكأنَّand as though هِرْمِسَHermes بَثَّspread حِكْمَتَهُhis wisdom بهthrough it
وكأنَّ هِرْمِسَ بَثَّ حِكْمَتَهُ به
وأَدارَand turned فيهwithin it الفِكْرَthought أَفْلاطُوْنُPlato
وأَدارَ فيه الفِكْرَ أَفْلاطُوْنُ
As though Hermes had spread his wisdom through it,
and Plato had turned his thoughts within it.
وكأنَّand as though راسِمَthe tracer خَطِّهِof its linework إقْلِيْدِسٌEuclid
وكأنَّ راسِمَ خَطِّهِ إقْلِيْدِسٌ
فَمَوَاثِلُso the visible examples الأَشْكالِof figures فيهwithin it فُنُوْنُvarieties
فَمَوَاثِلُ الأَشْكالِ فيه فُنُوْنُ
As though Euclid had traced its linework,
so varied are the figures displayed within it:
مِنْof دَائرٍa circle ومُكَعَّبٍand a cube ومُعَيَّنٍand a rhombus
مِنْ دَائرٍ ومُكَعَّبٍ ومُعَيَّنٍ
ومُحَجَّنٍand a hooked form تَقْوِيْسُهُits curvature التَّحْجِيْنُhook-shaping
ومُحَجَّنٍ تَقْوِيْسُهُ التَّحْجِيْنُ
circles, cubes, and rhombi,
and hooked forms whose curves are bent into crooks.
شَمَخَتْthey towered فلاso not تُحْنَىare bent سَوارِيْهاtheir pillars لهاfor them
شَمَخَتْ فلا تُحْنَى سَوارِيْها لها
كلاًweariness ولاnor تُرْمَىare thrown بهاwith them فَتَبِيْنُso they separate
كلاً ولا تُرْمَى بها فَتَبِيْنُ
They tower; their pillars do not bow beneath them
from weariness, nor are they cast aside to break apart.
فهنالكfor there التَّضْعِيفُdoubling والتليثُand tripling والتand the… (fragment)
فهنالك التَّضْعِيفُ والتليثُ والت
تَرْبِيْعُquadrupling والتَّسْدِيْسُand sextupling والتَّثْمِيْنُand octupling
تَرْبِيْعُ والتَّسْدِيْسُ والتَّثْمِيْنُ
There are doubling, tripling, and
quadrupling, sextupling, and octupling.
نِسَبٌproportions حَلَتْgrew sweet نِسَبُthe proportions الغِناءof song لبعثهاfor their arousing
نِسَبٌ حَلَتْ نِسَبُ الغِناء لبعثها
طَرَبَdelight النفوسِof souls وسَمْعُهاand hearing them تَعْيينُvisual perception
طَرَبَ النفوسِ وسَمْعُها تَعْيينُ
Proportions sweet as the proportions of song, for awakening
delight in souls; hearing them is seeing.
وكأنَّand as though طَرْفِيmy eye مِسْمَعِيmy ear وكأنَّهand as though it
وكأنَّ طَرْفِي مِسْمَعِي وكأنَّه
صَوْتٌsound وشَكْلُand the shape خُطُوْطِهِof its lines تلحيْنُmelody
صَوْتٌ وشَكْلُ خُطُوْطِهِ تلحيْنُ
As though my eye were my ear, and as though it
were sound, the shape of its lines a melody.
مُتَلأْلِئٌglittering فكأنَّماas though سَالَflowed المَهَاwhite crystal
مُتَلأْلِئٌ فكأنَّما سَالَ المَهَا
فيهwithin it وذابَand melted اللؤلؤُpearls المَكْنُوْنُhidden
فيه وذابَ اللؤلؤُ المَكْنُوْنُ
Glittering, as though white crystal had flowed
within it, and hidden pearls had melted.
وكأنَّand as though مُبْيَضَّthe whiteness الخُدودِof cheeks وَضَاءَةًin radiance
وكأنَّ مُبْيَضَّ الخُدودِ وَضَاءَةً
صَحْنٌa courtyard لهfor it لاnot المَرْمَرُthe marble المَسْنُوْنُpolished
صَحْنٌ له لا المَرْمَرُ المَسْنُوْنُ
As though the radiant whiteness of cheeks
were its courtyard, not polished marble.
تُغْشَىyou are dazzled بِمُذْهَبِby the gilding لَمْعِهِof its gleam فكأنَّماas though
تُغْشَى بِمُذْهَبِ لَمْعِهِ فكأنَّما
أَبْدَىdisplayed لَدَيْهِbefore it كُنُوْزَهُhis treasures قارُوْنُQarun
أَبْدَى لَدَيْهِ كُنُوْزَهُ قارُوْنُ
You are dazzled by its gilded gleam, as though
Qarun had displayed his treasures before it.
هوit ثالُثُa third القَمَرَيْنِthe sun and moon فيin ضَوْءَيْهماtheir two lights
هو ثالُثُ القَمَرَيْنِ في ضَوْءَيْهما
فيهwithin it تُضِيْءُshine لناfor us اللياليthe nights الجُوْنُdark
فيه تُضِيْءُ لنا الليالي الجُوْنُ
It is a third beside the sun and moon in their brightness;
within it, dark nights shine for us.
لوif أَبْصَرَتْهُhad seen it الفُرْسُthe Persians قَدَّسَwould have hallowed نُوْرَهُits light
لو أَبْصَرَتْهُ الفُرْسُ قَدَّسَ نُوْرَهُ
كِسْرَىKisra وأَخْبَتْand would have quenched نارَهاher fire شِيْرِيْنُShirin
كِسْرَى وأَخْبَتْ نارَها شِيْرِيْنُ
Had the Persians seen it, its light would have been hallowed
by Kisra, and Shirin would have quenched her fire.
أَوْor لَوْif بَدَاappeared للرُّوْمِto the Romans مَعْجَزُthe marvel صُنْعِهِof its workmanship
أَوْ لَوْ بَدَا للرُّوْمِ مَعْجَزُ صُنْعِهِ
أَبْدَىwould have shown السُّجُوْدَprostration إليهtoward it قُسْطَنْطِيْنُConstantine
أَبْدَى السُّجُوْدَ إليه قُسْطَنْطِيْنُ
Or had its wondrous workmanship appeared to the Romans,
Constantine would have prostrated himself toward it.
رَأْسٌa head بِظَهْرِon the back النُّونِof the fish إلاَّexcept أنَّهُthat it
رَأْسٌ بِظَهْرِ النُّونِ إلاَّ أنَّهُ
سَامٍlofty فَقُبَّتُهُso its dome بحيْثُwhere النُّوْنُthe celestial Fish
سَامٍ فَقُبَّتُهُ بحيْثُ النُّوْنُ
A head upon the fish's back, except that it
towers, its dome where the celestial Fish lies.
فيat رَأْسِهِits summit سَبَقَsurpassed النَّعامَthe Ostriches (stars) سماؤهits sky
في رَأْسِهِ سَبَقَ النَّعامَ سماؤه
مِنْfrom دونهbeneath it دَمْعٌtears الغَمَامِof clouds هَتُوْنُpouring
مِنْ دونه دَمْعٌ الغَمَامِ هَتُوْنُ
At its summit, its sky has surpassed the Ostriches;
beneath it, the clouds' tears pour down.
قَصْرٌa palace تَبَيَّنَتِhave recognized القُصُوْرُthe palaces قُصُوْرَهاtheir shortcomings
قَصْرٌ تَبَيَّنَتِ القُصُوْرُ قُصُوْرَها
عنهbeside it وفَضْلُand the excellence الأفضلينof the best يَبِيْنُis evident
عنه وفَضْلُ الأفضلين يَبِيْنُ
A palace: other palaces have recognized their shortfall
beside it; the excellence of the best is plain.
فَمَنِthen who ابنُIbn (son of) ذيDhi (possessor of) يَزَنٍYazan وماand what غُمْدَانُهُhis Ghumdan
فَمَنِ ابنُ ذي يَزَنٍ وما غُمْدَانُهُ
النَّقْلُreport شَكٌّdoubt والعِيَانُand firsthand sight يَقِيْنُcertainty
النَّقْلُ شَكٌّ والعِيَانُ يَقِيْنُ
Who, then, is Ibn Dhi Yazan, and what is his Ghumdan?
Report is doubt; direct sight is certainty.
هوit جَنَّةُthe paradise الدّنْيَاof this world تَبَوَّأَhas occupied نُزْلَهاits lodging
هو جَنَّةُ الدّنْيَا تَبَوَّأَ نُزْلَها
مَلِكٌa king تَمَلَّكَهُhas possessed him التُّقَىpiety والدِّيْنُand faith
مَلِكٌ تَمَلَّكَهُ التُّقَى والدِّيْنُ
It is the paradise of this world, whose lodging is occupied
by a king whom piety and faith possess.
فكأنَّماas though الرحمنُthe Merciful عَجَّلَهاgranted it early لهto him
فكأنَّما الرحمنُ عَجَّلَها له
لِيَرَىso he may see بماthrough what قدalready كانhas been ماwhat سيكونُwill be
لِيَرَى بما قد كان ما سيكونُ
As though the Merciful had granted it to him in advance,
so that through what has been he might see what will be.
وكأنَّand as though بانِيَهُits builder سِنِمَّارٌSinimmar فماso no
وكأنَّ بانِيَهُ سِنِمَّارٌ فما
يَعْدُوْهُeludes him تَحْسِيْنٌembellishment ولاnor تَحْصِيْنُfortification
يَعْدُوْهُ تَحْسِيْنٌ ولا تَحْصِيْنُ
As though its builder were Sinimmar, for no
embellishment or fortification eludes him.
وجَزَاؤُهُand his reward فيهin it نقيضُthe opposite جَزَائِهِof his reward
وجَزَاؤُهُ فيه نقيضُ جَزَائِهِ
شَتَّانَhow far apart ماindeed الإِحياءُgiving life والتَّحْيِيْنُand causing death
شَتَّانَ ما الإِحياءُ والتَّحْيِيْنُ
His reward here is the opposite of that man's reward;
how far apart are granting life and bringing death!
عَفٌّscrupulous فلاso no مالٌwealth يُبَاحُis made lawful ولاnor دَمٌblood
عَفٌّ فلا مالٌ يُبَاحُ ولا دَمٌ
بلrather آمنانِboth safe ذَخيرةٌstored treasure وَوَتِيْنُand the aorta
بل آمنانِ ذَخيرةٌ وَوَتِيْنُ
Scrupulous, he makes neither wealth nor blood lawful prey;
rather, treasure and the vital artery are both secure.
وإذاand when دَعَاprays داعٍa supplicant بِطُوْلِfor the length بَقَائِهِof his life
وإذا دَعَا داعٍ بِطُوْلِ بَقَائِهِ
خَرَقَتْpierces لهfor him سَمْعَthe hearing السَمَاof heaven آمِيْنُAmen
خَرَقَتْ له سَمْعَ السَمَا آمِيْنُ
When a supplicant prays for his long life,
an 'Amen' for him pierces heaven's hearing.
مَلَكَhas won القلوبَthe hearts بِسِيْرَةٍwith a conduct عُمَرِيَّةٍlike Umar's
مَلَكَ القلوبَ بِسِيْرَةٍ عُمَرِيَّةٍ
يَحْيَاlive بهاthrough it المَفْرُوضُthe obligatory observances والمَسْنُوْنُand the recommended observances
يَحْيَا بها المَفْرُوضُ والمَسْنُوْنُ
He has won hearts with a conduct like Umar's,
through which obligatory and recommended observances live.
لاnot تَأْلَفُassociate with الأحكامُthe judgments حَيْفاًinjustice عندهin his presence
لا تَأْلَفُ الأحكامُ حَيْفاً عنده
فكأنَّهاso as though they were الأفعالُthe verbs والتَّنْوِيْنُand nunation
فكأنَّها الأفعالُ والتَّنْوِيْنُ
His judgments never harbor injustice,
as though they were verbs, and it nunation.
لَوْif كانَhad been أَدْنَىthe least بِشْرِهِof his cheerfulness وَذَكَائِهِand his brilliance
لَوْ كانَ أَدْنَى بِشْرِهِ وَذَكَائِهِ
لِلنَّصْلِfor the blade ماnot شَحَذَتْwould have sharpened ظُبَاهُits edges قُيُوْنُsmiths
لِلنَّصْلِ ما شَحَذَتْ ظُبَاهُ قُيُوْنُ
Had the least of his cheerfulness and brilliance belonged
to a blade, no smiths would have sharpened its edges.
لَوْif كانَhad been لُجُّthe depths البَحْرِof the sea مِثْلَlike نَوَالِهِhis bounty
لَوْ كانَ لُجُّ البَحْرِ مِثْلَ نَوَالِهِ
غَمَرَwould have submerged الرُّبَىthe hills مَسْجُورُهُits brimming waters المَشْحُوْنُladen
غَمَرَ الرُّبَى مَسْجُورُهُ المَشْحُوْنُ
Had the ocean's depths been like his bounty,
its full, laden waters would have submerged the hills.
وبَدَاand appeared هِلالُthe crescent الأُفْقِof the horizon أَحْنَىbent نَاسِخاًannulling
وبَدَا هِلالُ الأُفْقِ أَحْنَى نَاسِخاً
عَهْدَthe season الصِّيامِof fasting كأنَّهas though it العُرْجُوْنُa date-cluster stalk
عَهْدَ الصِّيامِ كأنَّه العُرْجُوْنُ
The horizon's crescent appeared, bent, annulling
the season of fasting, like a date-cluster's stalk.
فكأنَّso as though بينthe departure الصّوْمِof fasting خَطَّطَtraced نَحْوَهُtoward it
فكأنَّ بين الصّوْمِ خَطَّطَ نَحْوَهُ
خَطّاًa line خَفِيّاًfaint بَانَappeared منهfrom it النُّوْنُthe letter Nun
خَطّاً خَفِيّاً بَانَ منه النُّوْنُ
As though fasting's departure had traced toward it
a faint line, from which the letter Nun appeared.