كماas تذبلwither الدالياتthe grapevines الصباياmaidens
كما تذبل الداليات الصبايا
ذوتshe withered فيamid سخاءthe profusion of المُنىwishes والعطاياand gifts
ذوت في سخاء المُنى والعطايا
As maiden grapevines wither,
Like fading dahlias are the maidens
She withered amid a profusion of wishes and gifts.
Withered in the generosity of wishes and gifts
وكالثلجand like snow فوقover احتضارthe dying of الطيورbirds
وكالثلج فوق احتضار الطيور
تراختdrooped علىupon مُقلتيهاher two eyes العشاياevenings
تراخت على مُقلتيها العشايا
And like snow over the dying of birds,
And like snow above the dying of birds
Evenings drooped upon her eyes.
Relaxed upon her eyelids is sleep
وكابنand like a son of سبيلthe road جثتshe knelt وحدهاby herself
وكابن سبيل جثت وحدها
تهدجquavered خلفbehind الضياعdesolation الشكاياlaments
تهدج خلف الضياع الشكايا
And like a wayfarer, she knelt alone;
And like a wayfarer alone she knelt
Laments quavered in the wake of desolation.
Murmuring lamentations behind the lost traces
وتسعلand cough فيin صدرهاher chest أمسياتevenings
وتسعل في صدرها أمسيات
منof الطينmud تبصقspitting ذوبthe molten substance of الحناياthe ribs
من الطين تبصق ذوب الحنايا
And evenings cough in her chest,
And she coughs in her chest evenings
Of mud, spitting the molten substance of her ribs.
Spitting melted sorrow from mud
ويوماًand one day أشارbeckoned أخوهاher brother القتيلthe slain one:
ويوماً أشار أخوها القتيل:
تعاليcome تشهتhave yearned for يديكyour two hands يداياmy two hands
تعالي تشهت يديك يدايا
And one day her slain brother beckoned:
And one day her slain brother gestured:
Come—my hands have yearned for yours.
Come, wet your hand with my blood
فناحتso she wailed كبنتlike a daughter of مليكa king غدتshe became
فناحت كبنت مليك غدت
بأيديin the hands of (التتارthe Tatars) أذلthe most abased of السباياcaptive women
بأيدي (التتار) أذل السبايا
So she wailed like a king's daughter who became
So she wailed like a princess become
The most abased of captive women in the Tatars' hands.
By Tatar hands the lowest of captives
أهذيis this أناI؟ وتعيدand she repeats السؤالthe question
أهذي أنا؟ وتعيد السؤال
وتبحثand she searches عنfor وجههاher face فيin المراياmirrors
وتبحث عن وجهها في المرايا
Is this me? And she repeats the question,
Is this me? And she repeats the question
And searches for her face in mirrors.
And searches for her face in the mirror
أماكانwas it not ملءfilling قميصيmy shirt الربيعspring؟
أماكان ملء قميصي الربيع؟
فأينthen where أنthat [likely truncated 'I']؟ فيin قميصيmy shirt سواياsomeone other than me
فأين أن؟ في قميصي سوايا
Did spring not fill my shirt?
Where has the fullness of my spring shirt gone?
Then where am [I]? Someone other than me is in my shirt.
So where am I? In my shirt only traces
وفرand fled سؤالa question خجولtimid تلاهfollowed it
وفر سؤال خجول تلاه
سؤالa question، علىon شفتيهاher two lips تعاياfaltered
سؤال، على شفتيها تعايا
And a timid question fled, followed by
And a shy question followed
A question that faltered on her lips:
By a question, on her lips shivering
وأينand where الفراشthe butterflies الذيthat امتصنيsucked me dry
وأين الفراش الذي امتصني
أيرثيdo they mourn? هشيمthe dry debris of الغصونbranches العراياnaked
أيرثي هشيم الغصون العرايا
And where are the butterflies that sucked me dry?
And where is the mattress that absorbed me?
Do they mourn the dry debris of naked branches?
Does it inherit the debris of bare branches?
وذاتand one مساءevening تمطىstretched itself السكونstillness
وذات مساء تمطى السكون
كباغlike an aggressor يهمis intent بأدهىon the most sinister of القضاياaffairs
كباغ يهم بأدهى القضايا
And one evening, stillness stretched itself,
And one evening silence crept
Like an aggressor bent on the most sinister schemes.
Like a plague intending the gravest matters
وأقعىand squatted يهزwaving إزاءbefore الجدارthe wall
وأقعى يهز إزاء الجدار
أكفاًhands منof الشوكthorns خرسmute النواياintentions
أكفاً من الشوك خرس النوايا
And squatted, waving before the wall
And the ceiling sways across from the wall
Hands of thorns, their intentions mute.
Palms of thorns, muted intentions
وفيand in الصبحthe morning أهدتgave as a gift لهاto her جارتانtwo female neighbors
وفي الصبح أهدت لها جارتان
غبياًa fool رضيpleasing in الرقىincantations والسجاياand character traits
غبياً رضي الرقى والسجايا
And in the morning, two neighbors gave her
And in the morning two neighbors brought her
A fool with pleasing incantations and character,
A shroud, it accepted the inscriptions and the sewing
يفضhe opens الكتابthe book ويشويand roasts البخورincense
يفض الكتاب ويشوي البخور
ويستلand draws out ماwhat فيin قرارthe depths of الخفاياhidden things
ويستل ما في قرار الخفايا
Who opens the book and roasts incense,
It opens the book and burns the incense
And draws out what lies in the depths of secrets.
And takes what is in the depth of the hidden
فتشتمthen she scents أمسyesterday المسجىthe shrouded يعودreturning
فتشتم أمس المسجى يعود
وتجترهand chews it over منfrom رمادthe ashes of المناياdeaths
وتجتره من رماد المنايا
Then she scents shrouded yesterday returning,
So she insulted yesterday's shroud returning
And chews it over from the ashes of death.
And dragged it from the ashes of demise
وتنتظرand she awaits الزائرينvisitors كأمlike a mother
وتنتظر الزائرين كأم
تراقبwatching for عودthe return of بنيهاher sons الضحاياthe victims
تراقب عود بنيها الضحايا
And awaits visitors like a mother
And she waits for the visitors like a mother
Watching for her sons, the victims, to return.
Watching for the return of her slain children
فلاbut no طيفa phantom of حبlove يشقcuts through إليهاto her
فلا طيف حب يشق إليها
سعالthe cough of الكوىwindow openings أوor فحيحthe hiss of الزواياcorners
سعال الكوى أو فحيح الزوايا
But no phantom of love cuts a path to her through
So no specter of love breaks through to her
The cough of windows or the hiss of corners.
Neither the coughing of pain nor the wheezing of corners
وكانand would يمدhold out المساءthe evening النجومthe stars
وكان يمد المساء النجوم
إليهاto her معبأةladen بالهداياwith gifts
إليها معبأة بالهدايا
And evening would hold out the stars
And the evening would stretch out stars to her
To her, laden with gifts.
Filled with gifts
وتتئدand moves slowly الشمسthe sun قبلbefore الغروبsunset
وتتئد الشمس قبل الغروب
توشيembroidering رؤاهاher visions بأزهىwith the most radiant of الخباياsecrets
توشي رؤاها بأزهى الخبايا
And the sun would linger before sunset,
And the sun would fold before setting
Embroidering her visions with the most radiant secrets.
Adorning her visions with the loveliest secrets
ويجثوand kneels الصباحthe morning ملياًfor a long while يرشsprinkling
ويجثو الصباح ملياً يرش
شبابيكهاher windows بأرقwith the tenderest of التحاياgreetings
شبابيكها بأرق التحايا
And morning would kneel a long while, sprinkling
And the dawn would kneel, filling
Her windows with the tenderest greetings.
Her windows with the softest greetings
وتحملand carries عنaway from وهجthe glow of أسمارهاher evening conversations
وتحمل عن وهج أسمارها
رياحthe winds of الدجىnight's darkness هودجاًa howdah منof حكاياtales
رياح الدجى هودجاً من حكايا
And from the glow of her evening talk was borne
And she would carry from the blaze of its flickers
On night winds a howdah of tales.
Stories of nightfall in murmuring bundles
وكانتand she was كماas يخبرtell الذاكرونthose who remember
وكانت كما يخبر الذاكرون
أبضthe most tender-skinned of الغوانيbeautiful women وأطرىand freshest in مزاياcharms
أبض الغواني وأطرى مزايا
And she was, as those who remember tell,
And she was, as the reminiscent tell
The tenderest-skinned of beauties, and freshest in charms,
Of brightest complexion and sharpest features
وانظرand look [likely 'and more radiant'] منthan صاحباتthe ladies of (السمو'Highness')
وانظر من صاحبات (السمو)
ولكنهاbut she بنتthe daughter of أشقىthe most wretched of الرعاياthe subjects
ولكنها بنت أشقى الرعايا
And [more radiant] than the ladies of 'Highness',
Yet look at the ladies of prestige
But she was the daughter of the most wretched of subjects.
When she was a daughter of the most wretched subjects
تهادتshe came swaying منfrom الريفthe countryside عامthe year of الجرادlocusts
تهادت من الريف عام الجراد
تعاطيoffering المقاصيرprivate chambers أحلىthe sweetest of الخطاياsins
تعاطي المقاصير أحلى الخطايا
She came swaying from the countryside in the year of locusts,
She stumbled from the countryside, the year of locusts
Offering secluded chambers the sweetest sins.
Partaking of the purest sins
وفيand at بدءthe onset of (نسيانforgetting) حثspurred الخريفautumn
وفي بدء (نسيان) حث الخريف
إليهاtoward her منof الريحthe wind أمضىthe swiftest of المطاياmounts
إليها من الريح أمضى المطايا
And at the onset of 'forgetting,' autumn spurred
And at the start of forgetting, autumn urged
Toward her the fleetest mounts of wind.
To her the fiercest rushes of wind
فشظىso it shattered كؤوسthe cups of الهوىlove فيin يديهاher two hands
فشظى كؤوس الهوى في يديها
وخبأand hid فيin رئتيهاher two lungs الشظاياthe shards
وخبأ في رئتيها الشظايا
So it shattered love's cups in her hands,
So it shattered the cups of love in her hands
And hid the shards in her lungs.
And hid the shards in her chest
وخلفand left منهاof her بقاياthe remnants of الأنينgroaning
وخلف منها بقايا الأنين
وعادand returned، فأنهىthen finished off بقاياthe remnants of البقاياthe remnants
وعاد، فأنهى بقايا البقايا
And left of her the remnants of groaning,
And left behind remnants of moaning
Then returned to finish off the remnants of the remnants.
Then returned to end even the remnants