كيفhow ماتdied المجنونthe madman (Majnun)؟ هلdid…? سعدتshe found happiness ليـLayla (beginning)
كيف مات المجنون؟ هل سعدت ليـ
ـلىLayla (ending)؟ سلواask هذهthese الصحاريthe deserts الحزينةsorrowful
ـلى؟ سلوا هذه الصحاري الحزينة
How did Majnun die? Was Layla
How did Majnun die? Did Layla rejoice at night?
happy? Ask these sorrowful deserts.
Ask these sad deserts what the wind told Qays last night
اسألوهاask them ماwhat حدّثtold الريحthe wind قيسQays الـthe
اسألوها ما حدّث الريح قيس الـ
أمسyesterday ليلاat night وكيفand how عاشhe lived سنينهhis years
أمس ليلا وكيف عاش سنينه
Ask them what Qays told the wind
And how that fanciful vagrant poet lived his years
last night, and how he lived his years—
Friend of gazelles in the desert, savior of sands, beasts, and waste
ذلكthat الشاعرthe poet الشريدwandering الخياليّdreamy
ذلك الشاعر الشريد الخياليّ
صديقfriend الظباءthe gazelles فيin الصحراءthe desert
صديق الظباء في الصحراء
that wandering, dreamy poet,
And specter of leanness and illnesses.
friend of the gazelles in the desert,
Love crushed his sensitive eager heart
ونجّيand confidant الرمالthe sands والوحشand the wild beasts والبيـand the wastelands (beginning)
ونجّي الرمال والوحش والبيـ
ـدwastelands (ending) وطيفand a specter الشحوبpallor والأدواءand ailments
ـد وطيف الشحوب والأدواء
and confidant of the sands, the wild beasts, and the
So he lived life without abode
wastelands, and a specter of pallor and ailments.
Above those sands he recited verses of his passion
سحقcrushed الحبّlove قلبهhis heart المرهفsensitive الغضّtender
سحق الحبّ قلبه المرهف الغضّ
فعاشso he lived الحياةlife دونwithout مقرّa dwelling
فعاش الحياة دون مقرّ
Love crushed his sensitive, tender heart,
To every madwoman who walked by
so he lived his life without a home,
Depicting on the page of sand whatever
فوقupon تلكthose الرمالthe sands ينشدhe chants أشعاpoems (beginning)
فوق تلك الرمال ينشد أشعا
رpoems (ending) هواهhis love لكلto every هوجاءraging wind تسريblows by night
ر هواه لكل هوجاء تسري
upon those sands, chanting the poems
Sorrow, longing, and yearning he had
of his love to every raging wind that blows by night,
For wherever Layla had tread in bygone years
راسماtracing فوقon صفحةsurface الرملthe sand ماwhat
راسما فوق صفحة الرمل ما
كاwas (beginning) نwas (ending) منof الشوقlonging والأسىand sorrow والحنينand yearning
كا ن من الشوق والأسى والحنين
tracing on the face of the sand what
When she herded the deer and Qays herded his sheep
there was of longing, sorrow, and yearning,
And she would sing, and he would sing back
لاثماkissing كلّevery موضعplace خطرتshe passed ليـLayla (beginning)
لاثما كلّ موضع خطرت ليـ
ـلىLayla (ending) عليهover it فيin ماضياتbygone السنينthe years
ـلى عليه في ماضيات السنين
kissing every spot where Layla
Her voice reverberating on those tawny sands
had passed in the years gone by,
Where gazelles frolicked and dashed.
يومwhen كانتshe was ترعىshe tends الشياهthe sheep ويرعىand he tends
يوم كانت ترعى الشياه ويرعى
قيسQays أغنامهhis sheep فتشدوso she sings ويشدوand he sings
قيس أغنامه فتشدو ويشدو
when she tended the sheep and
Oh what agony for that fervent poet! What had fate ordained?
Qays tended his flock, so she sang, and he sang,
The joy of youth faded, the valley withered, its flowers dried up
وتدوّيand resound باللحنwith the melody تلكthose الرمالthe sands الـthe
وتدوّي باللحن تلك الرمال الـ
ـسمرbrown حيثwhere الظباءthe gazelles تلهوfrolic وتعدوand run
ـسمر حيث الظباء تلهو وتعدو
and with the melody resounded those
Only a grave remained at the foot of the hill
brown sands, where the gazelles frolicked and ran.
Beneath which Layla's traces faded
يومwhen كانتshe was ياoh لهفةyearning الشاعرthe poet العاthe lovestruck (beginning)
يوم كانت يا لهفة الشاعر العا
شقlovestruck (ending) ماذاwhat قدhave (perfect marker) أبقتleft الأقدارthe fates؟
شق ماذا قد أبقت الأقدار؟
When she was—oh, the yearning of the poet
Above it a rosebush,
in love! What have the fates left?
Which the shadows made its shade
نضبتran dry فرحةjoy الصباyouth وذوىand withered الواthe valley (beginning)
نضبت فرحة الصبا وذوى الوا
ديvalley (ending) وجفتand dried up فيin رحبهits expanse الأزهارthe flowers
دي وجفت في رحبه الأزهار
The joy of youth ran dry, and the valley
And Qays remained tortured, crying
withered; the flowers dried up in its expanse.
For the remainder of his battered life
وتبقّىand remained قبرa grave علىat قدمfoot التلّthe hill
وتبقّى قبر على قدم التلّ
ذوتwithered تحتهbeneath it معالمfeatures ليلىLayla
ذوت تحته معالم ليلى
And a grave remained at the foot of the hill;
Lying at the edge of the grave, ceaselessly complaining
beneath it, Layla's features withered.
To the breeze and the clouds
وحنتand bent فوقهabove it شجيرةa little bush وردroses
وحنت فوقه شجيرة ورد
تخذتهاtook it الأشلاءthe bodily remains فيin القبرthe grave ظلاّas shade
تخذتها الأشلاء في القبر ظلاّ
And a little rosebush bent above it;
Wishing for the night of death, calling it
the bodily remains in the grave took it as shade.
With the sweetest names
وتبقّىand remained قيسQays المعذّبtormented يبكيweeping
وتبقّى قيس المعذّب يبكي
ماwhat تبقّىremained منof عمرهhis lifetime المصدومstricken
ما تبقّى من عمره المصدوم
And tormented Qays remained, weeping
And singing death the most beautiful songs
through what remained of his stricken life,
Of his passion beneath the darkness and light
راقداlying عندat حافةedge القبرthe grave لاnot يفـcease (beginning)
راقدا عند حافة القبر لا يفـ
ـتأcease (ending) يشكوhe laments إلىto الصباthe east wind والغيومand the clouds
ـتأ يشكو إلى الصبا والغيوم
lying at the grave's edge, never ceasing
Then one morning death came
to lament to the east wind and the clouds.
And Qays fell lifeless in its grip
يتمنىhe longs for ليلthe night المناياdeaths ويدعوand calls
يتمنى ليل المنايا ويدعو
هit إليهto himself بأعذبby the sweetest الأسماءnames
ه إليه بأعذب الأسماء
He longed for the night of death and called
With only the sighing wind and mournful hooting owl weeping for him.
it to himself by the sweetest names,
Oh hearts of lovers, let Qays' tragedy suffice for passion
ويغنّيand sings للموتto death أجملthe loveliest ألحاmelodies (beginning)
ويغنّي للموت أجمل ألحا
نmelodies (ending) هواهhis love تحتbeneath الدجىthe darkness والضياءand the light
ن هواه تحت الدجى والضياء
and sang to death the loveliest melodies
For this is life - it grants the living only torment and horrors
of his love beneath darkness and light.
It deceived us with love, yearning and memories
ثمthen جاءcame الصباحthe morning يوماone day وقيسand Qays
ثم جاء الصباح يوما وقيس
فيin يدthe hand الموتdeath ذاهلdazed مصروعstruck down
في يد الموت ذاهل مصروع
Then one day morning came, and Qays
Leaving behind only delusions
was in death's hand, dazed and struck down.
A wretched world seething with sin
ليسnot تبكيهweep for him غيرexcept تنهيدةa sigh الريـthe wind (beginning)
ليس تبكيه غير تنهيدة الريـ
ـحwind (ending) وصوتand the cry البومthe owls الكئيبmournful دموعtears
ـح وصوت البوم الكئيب دموع
No tears were shed for him but the wind's sigh
Living between passion and darkness.
and the mournful cry of owls.
ياO قلوبhearts العشّاقof lovers حسبكenough for you حّباlove
يا قلوب العشّاق حسبك حّبا
واقبسيand take منfrom مأساةthe tragedy قيسQays مثالاan example
واقبسي من مأساة قيس مثالا
O hearts of lovers, enough of love!
And take Qays's tragedy as an example.
هيit is هذيthis الحياةlife لاdoes not تمنحgrant الأحـthe living (beginning)
هي هذي الحياة لا تمنح الأحـ
ـياءliving (ending) إلاexcept العذابtorment والأهوالاand terrors
ـياء إلا العذاب والأهوالا
This is life: it grants the living
nothing but torment and terrors.
خدعتناit deceived us بالحبّwith love والشوقand longing والذكـand remembrance (beginning)
خدعتنا بالحبّ والشوق والذكـ
ـرىremembrance (ending) وماand nothing خلفهاbehind it سوىexcept الأوهامillusions
ـرى وما خلفها سوى الأوهام
It deceived us with love, longing, and remembrance,
and behind it there is nothing but illusions:
عالمa world سافلbase يضجّclamors منfrom الإثـsin (beginning)
عالم سافل يضجّ من الإثـ
ـمsin (ending) ويحياand lives بينbetween الهوىpassion والظلامand darkness
ـم ويحيا بين الهوى والظلام
a base world clamoring with sin,
and living between passion and darkness.
Partial English translation: 39 of 48 Arabic lines translated.
Sol 6.1